by Mariah Burton Nelson ‧ RELEASE DATE: June 1, 1994
To her exploration of violence and sexuality in masculine sports, Nelson (Are We Winning Yet?, 1991) brings formidable journalistic skills, a sharp anecdotal style, and incisive logic. Nelson argues that violent and aggressive sports—football, basketball, hockey—generate a hostile attitude toward women and function, in fact, as refuges for men from the threat of women's liberation. Women are tolerated as decorative (cheerleaders, topless dancers in ``sports'' bars, swimsuit cover girls) or derided, femininity being equated with masculine failure: Coaches belittle losing teams for ``playing like girls'' and award tampons to their worst players. An interesting historical chapter traces ``the crisis in masculinity'' to changes in male occupations in the 19th century from the physical to the more cerebral, and to women's discovering the bicycle, which gave them a freedom of motion that paralleled their growing political freedom. She offers cogent interpretations of the soap-opera quality of ``sports talk,'' the sexual language of sport itself, ``dominance bonding,'' or identifying with powerful symbols, the role of college sports in gang rape, the unhealthy dimensions of male coaches training female athletes, and an exceptionally funny and poignant chapter on female journalists in male locker rooms (with some great explanations of why men do not like to be seen nude). She analyzes the role of media, especially advertising, in producing a ``cognitive dissonance,'' the discrepancy between popular images of athletes and the reality, that lies behind much of the misogyny expressed by both spectators of and participants in the ``manly'' sports. Nelson disregards the role of hormones, the economy, even of war, in shaping the emotional tone and sexual biases of masculine sports. But her emphasis on journalism, especially women journalists as agents for change, however single- and perhaps simple-minded, is at least tangible and certainly thought- provoking.
Pub Date: June 1, 1994
ISBN: 0-15-181393-0
Page Count: 304
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1994
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BOOK REVIEW
by Marc Brackett ‧ RELEASE DATE: Sept. 3, 2019
An intriguing approach to identifying and relating to one’s emotions.
An analysis of our emotions and the skills required to understand them.
We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”
An intriguing approach to identifying and relating to one’s emotions.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-21284-9
Page Count: 320
Publisher: Celadon Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Oliver Sacks ‧ RELEASE DATE: Nov. 24, 2015
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A...
Valediction from the late neurologist and writer Sacks (On the Move: A Life, 2015, etc.).
In this set of four short essays, much-forwarded opinion pieces from the New York Times, the author ponders illness, specifically the metastatic cancer that spread from eye to liver and in doing so foreclosed any possibility of treatment. His brief reflections on that unfortunate development give way to, yes, gratitude as he examines the good things that he has experienced over what, in the end, turned out to be a rather long life after all, lasting 82 years. To be sure, Sacks has regrets about leaving the world, not least of them not being around to see “a thousand…breakthroughs in the physical and biological sciences,” as well as the night sky sprinkled with stars and the yellow legal pads on which he worked sprinkled with words. Sacks works a few familiar tropes and elaborates others. Charmingly, he reflects on his habit since childhood of associating each year of his life with the element of corresponding atomic weight on the periodic table; given polonium’s “intense, murderous radioactivity,” then perhaps 84 isn’t all that it’s cut out to be. There are some glaring repetitions here, unfortunate given the intense brevity of this book, such as his twice citing Nathaniel Hawthorne’s call to revel in “intercourse with the world”—no, not that kind. Yet his thoughts overall—while not as soul-stirringly inspirational as the similar reflections of Randy Pausch or as bent on chasing down the story as Christopher Hitchens’ last book—are shaped into an austere beauty, as when Sacks writes of being able in his final moments to “see my life as from a great altitude, as a sort of landscape, and with a deepening sense of the connection of all its parts.”
If that promise of clarity is what awaits us all, then death doesn’t seem so awful, and that is a great gift from Sacks. A fitting, lovely farewell.Pub Date: Nov. 24, 2015
ISBN: 978-0-451-49293-7
Page Count: 64
Publisher: Knopf
Review Posted Online: Oct. 31, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Oliver Sacks ; edited by Kate Edgar
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