There’s no upstairs or downstairs backstage. The show must go on.
Backing a theatrical extravaganza has serious consequences for a New York socialite and her maid in 1914.
The news that songwriter Leo Hirschfeld, her former not-quite-boyfriend, is rehearsing a Broadway-bound play gives lady’s maid Jane Prescott a pleasant tingle, followed by a heart-wrenching thud at the news that Two Loves Have I features the lovely Violet Tempest, who's now Leo’s wife. After lady of the house Louise Tyler warns the rest of the staff to be mindful of Jane’s tender feelings, the young matron is intrigued when Leo turns up to see not Jane, but Louise herself. Hoping to interest her in making a modest investment, the enterprising young man invites her to a rehearsal. Since propriety demands that Louise can’t be backstage alone at a place as disreputable as a theater, Jane accompanies her. As her employer falls head over heels for the magic of the stage and invests in the show, Jane develops a grudging affection for the theater folk, befriending over-the-hill comedian Roland Harney and his dog, Peanut. She especially appreciates the faces behind the scenes, from Harriet Biederman, who keeps the show’s complicated finances straight, to Adele St. John, whose costumes make Violet and leading lady Blanche Arden into the magical creatures they appear onstage. The person Jane bonds with least is producer Sidney Warburton. So she feels no great loss when the tyrannical moneyman is shot dead in the men’s room at Rector’s, where the cast is having a late supper. It’s only when Detective Harrison J. Fullerton begins to ask pointed questions about Leo’s relationship with Warburton that Jane realizes the full impact of the murder on both her newfound theater friends and her faithful employer.
There’s no upstairs or downstairs backstage. The show must go on.Pub Date: April 13, 2021
ISBN: 978-1-2502-1090-6
Page Count: 288
Publisher: Minotaur
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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