An impassioned illumination of the historical precedents undergirding Ukraine’s national identity.
Ukraine’s history of conflict with Russian invaders is explored with graphic specificity.
This graphic exploration of Ukraine’s conflict-defined history with Russia drops the reader right into the midst of the current war, during a bombing raid that sends the protagonist from her apartment into a community bomb shelter. Her conversations with neighbors in the shelter serve as an opportunity to highlight essential aspects of Ukrainian history. Before she even leaves her apartment, she reflects on the Holodomor, a nationwide famine that occurred because Russian occupiers withheld grain from the Ukrainian farmers who had produced it. Arriving in the shelter, she hears someone affectionately call a child a Cossack, which occasions a discursion on the history of these illustrious Ukrainian forces. Other shelter mates mention experiences and historical knowledge that spin off into explorations of the country’s millennium-deep roots in the Kyivan Rus, the creation of the Cyrillic alphabet, the suppression of the Ukrainian language, and a number of historic and modern conflicts with Russia. These interwoven moments capture the spirit of a “long war,” centuries of intermittent conflict that have most recently manifested in a full-scale invasion beginning in 2022. For readers who possess a grounded understanding of Ukrainians’ fight for sovereignty, the book paints a powerful picture of a country with a centuries-long mandate to defend and define itself. For those who have engaged only superficially with Eastern European history or contemporary politics, this deliberate but nonlinear history, which stops short of explicitly stating its goals, may leave them with more questions than comprehension. Orange, black-and-gray illustrations walk a fine line between emotional expressiveness and documentary directness, making them unsettling and occasionally lovely to look at.
An impassioned illumination of the historical precedents undergirding Ukraine’s national identity.Pub Date: Jan. 27, 2026
ISBN: 9780593840153
Page Count: 112
Publisher: Ten Speed Press
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
An accessible, informative journey through complex issues during turbulent times.
Immersion journalism in the form of a graphic narrative following a Syrian family on their immigration to America.
Originally published as a 22-part series in the New York Times that garnered a Pulitzer for editorial cartooning, the story of the Aldabaan family—first in exile in Jordan and then in New Haven, Connecticut—holds together well as a full-length book. Halpern and Sloan, who spent more than three years with the Aldabaans, movingly explore the family’s significant obstacles, paying special attention to teenage son Naji, whose desire for the ideal of the American dream was the strongest. While not minimizing the harshness of the repression that led them to journey to the U.S.—or the challenges they encountered after they arrived—the focus on the day-by-day adjustment of a typical teenager makes the narrative refreshingly tangible and free of political polemic. Still, the family arrived at New York’s JFK airport during extraordinarily political times: Nov. 8, 2016, the day that Donald Trump was elected. The plan had been for the entire extended family to move, but some had traveled while others awaited approval, a process that was hampered by Trump’s travel ban. The Aldabaans encountered the daunting odds that many immigrants face: find shelter and employment, become self-sustaining quickly, learn English, and adjust to a new culture and climate (Naji learned to shovel snow, which he had never seen). They also received anonymous death threats, and Naji wanted to buy a gun for protection. He asked himself, “Was this the great future you were talking about back in Jordan?” Yet with the assistance of selfless volunteers and a community of fellow immigrants, the Aldabaans persevered. The epilogue provides explanatory context and where-are-they-now accounts, and Sloan’s streamlined, uncluttered illustrations nicely complement the text, consistently emphasizing the humanity of each person.
An accessible, informative journey through complex issues during turbulent times.Pub Date: Sept. 8, 2020
ISBN: 978-1-250-30559-6
Page Count: 192
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
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