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ANYBODY OUT THERE?

The very best in chick-lit.

Keyes’s proven formula for success—a chatty, engaging heroine, a bawdy sense of humor, an unhappy turn of events—works again in her eighth novel (The Other Side of the Story, 2004, etc.).

Three of the five Irish Walsh girls have novels of their own, and now it’s time for Anna’s story. The first 100 pages build up a mystery of sorts: Anna lies dazed in the front parlor of her parent’s Dublin home as her mother nurses her back to health. On her daily walk, the local schoolboys call her Frankenstein, and for good reason. With deep cuts and bandages on her face, fingers without nails, an arm cast and a limp, Anna has never looked less stylish (except when she wore all those hippie skirts). There are flashbacks to her recent life in New York, where she has The Best Job in the World in cosmetics public relations, and a hunky, adorable husband, Aidan. So what happened to Anna, and where’s Aidan in her time of need? Against everyone’s pleading, Anna returns to New York, and we learn the tragic truth: Anna and Aidan were in a car accident in which Aidan died. Now, Anna rings his cell phone everyday to hear his voicemail, she e-mails him about work, she wails at night and can’t imagine life without him. Over 400 pages of a widow’s emotional recovery would be hard-going if not for Keyes’s humor and grand cast of characters with their own quirky subplots. Back in Dublin, baby sister Helen, an unlikely private investigator, keeps Anna updated on her current big case—tailing the local crime lords’ misses, while Mammy Walsh keeps Anna current on her own little mystery—an old lady regularly brings her dog to poo on the Walsh’s doorstep. And now, desperate to find out where Aidan is, Anna starts frequenting afterlife psychics, which introduces a whole new set of oddballs. Anna begins to crawl out of her sorrow, but Keyes is cautious with the expected happy ending—for all the comedy, she creates a vivid portrait of grief.

The very best in chick-lit.

Pub Date: June 1, 2006

ISBN: 0-06-073130-3

Page Count: 464

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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THE WALL

Originally published in German in 1962 and touted more recently as a feminist's Robinson Crusoe, this somber classic from prize-winner Haushofer chronicles the experiences of a (nameless) woman cut off from her familiar city ways in a remote hunting lodge, after Armageddon has snuffed out all life in the world beyond. With the woman's diary of activities during the first two years of isolation as foundation, the story assumes the shape and flavor of a journal. Saved from instant death by a transparent, apparently indestructible wall enclosing a substantial area of forest and alpine meadow, the woman finds relief from her isolation in companionship offered by a dog, a cat, kittens, and a cow and her calf, making them into a family that she cares for faithfully and frets over incessantly with each season's new challenges. Crops of potatoes, beans, and hay are harvested in sufficient quantity to keep all alive, with deer providing occasional meat for the table, but the satisfaction of having survived long winters and a halcyon summer is undone by a second sudden and equally devastating catastrophe, which triggers the need in her to tell her story. Although heavy with the repetition of daily chores, the account is also intensely introspective, probing as deeply into the psyche of the woman as it does into her world, which circumstances have placed in a new light. Subtly surreal, by turns claustrophobic and exhilarating, fixated with almost religious fervor on banal detail, this is a disturbing yet rewarding tale in which survival and femininity are strikingly merged. Not for macho readers.

Pub Date: Oct. 1, 1991

ISBN: 0-939416-53-0

Page Count: 244

Publisher: Cleis

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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CARAMELO

Readers here get both: “Life was cruel. And hilarious all at once.”

A sprawling family saga with a zesty Mexican-American accent from Cisneros, author of, most recently, Woman Hollering Creek (1991).

Every summer, all three Reyes brothers drive with their wives and children from Chicago to Mexico City to visit their parents. Narrator Lala begins with a particularly dreadful trip during which “the Awful Grandmother” reveals a shameful secret from her favorite son’s past to humiliate her detested daughter-in-law. These are Lala’s parents, and Lala then rolls the narrative back, goaded by a scolding second voice whose identity we learn later, to tell us how a desolate, abandoned girl named Soledad became the Awful Grandmother. Soledad comes from a family of shawl-makers, and her most significant possession is a rebozo caramelo, a silk shawl whose striped design, when she unfurls it after her husband’s death, evokes “the past . . . the days to come. All swirling together like the stripes.” Wearing it years later to her parents’ 30th anniversary, Lala brings the fringe to her lips and tastes “cooked pumpkin familiar and comforting and good, reminding me I’m connected to so many people, so many.” Cisneros’ keen eye enlivens descriptions of everything from Chicago’s famed Maxwell Street flea market to Soledad’s sun-stroked house on Destiny Street. (The author riffs playfully throughout on the double meaning of destino, as either “destiny” or “destination”; it’s hard to imagine that the simultaneous Spanish-language edition will be as stylistically original as this casually bilingual text.) Melodrama abounds, and the narrator doesn’t disdain her tale’s links to Mexico’s famed telenovelas. In one of many entertaining footnotes, vehicles for historical and biographical background as well as the author’s opinions, she insists that those TV soap operas merely “[emulat] Mexican life.” The only way to cope is with a robust sense of humor. As Lala’s friend Viva says, “You’re the author of the telenovela of your life. Comedy or tragedy? Choose.”

Readers here get both: “Life was cruel. And hilarious all at once.”

Pub Date: Sept. 30, 2002

ISBN: 0-679-43554-9

Page Count: 448

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2002

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