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SUSHI FOR BEGINNERS

This Irish author’s standard mix of armchair psychology and hip female fun is a bit forced here, and the three-way split for...

Keyes, with a number of wry, funny novels about wry, funny women under her designer belt (Angels, 2002, etc.), falters in her sixth: a concoction with the usual ingredients but without the usual magic.

Having reached the top as editor of London’s glossiest fashion mag (not without the requisite bitchiness and backstabbing), Lisa Edwards is betting that the boys upstairs have summoned her to offer an even better position with their New York magazine. Instead, Lisa’s being shipped off to Dublin (for fashion it might as well be Dubai) to start up the new magazine Colleen. Sharing office space with Gaelic Knitting and Hibernian Bride, Lisa also finds a small and unfashionable staff. Ashling Kennedy is her editorial assistant and the perennial good girl. Dubbed “Miss Fix-it” by yummy corporate head Jack Devine, Ashling is superstitious, mildly neurotic, and a bit ordinary, but in the most likable way. Then there’s Ashling’s best friend, the beautiful Clodagh, who, with kind husband Dylan, two gorgeous little ones, a grand house in the city should be happy—but (naturally) she’s not, and longs for a moment of peace and quiet. Or a night out on the town. Or something that doesn’t involve the husband or kids. The three women forge ahead at various speeds: determined Lisa, stick-thin and already wearing next year’s fashion, has set her teeth on Jack Devine. Ashling, despite her insecurities, has come up with great ideas for the magazine and is dating a rising comedian, and Clodagh decides she wants to try for a job. But things for all three begin to fall apart, and each contemplates a nervous breakdown. It’s only Ashling, though, who’ll fail to rally at her bad news.

This Irish author’s standard mix of armchair psychology and hip female fun is a bit forced here, and the three-way split for the narrative works less well than investing in only one gal might have. Still, Keyes’s chic-lit (even this) is miles above the norm.

Pub Date: June 1, 2003

ISBN: 0-06-052050-7

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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THE GRAPES OF WRATH

This is the sort of book that stirs one so deeply that it is almost impossible to attempt to convey the impression it leaves. It is the story of today's Exodus, of America's great trek, as the hordes of dispossessed tenant farmers from the dust bowl turn their hopes to the promised land of California's fertile valleys. The story of one family, with the "hangers-on" that the great heart of extreme poverty sometimes collects, but in that story is symbolized the saga of a movement in which society is before the bar. What an indictment of a system — what an indictment of want and poverty in the land of plenty! There is flash after flash of unforgettable pictures, sharply etched with that restraint and power of pen that singles Steinbeck out from all his contemporaries. There is anger here, but it is a deep and disciplined passion, of a man who speaks out of the mind and heart of his knowledge of a people. One feels in reading that so they must think and feel and speak and live. It is an unresolved picture, a record of history still in the making. Not a book for casual reading. Not a book for unregenerate conservative. But a book for everyone whose social conscience is astir — or who is willing to face facts about a segment of American life which is and which must be recognized. Steinbeck is coming into his own. A new and full length novel from his pen is news. Publishers backing with advertising, promotion aids, posters, etc. Sure to be one of the big books of the Spring. First edition limited to half of advance as of March 1st. One half of dealer's orders to be filled with firsts.

Pub Date: April 14, 1939

ISBN: 0143039431

Page Count: 532

Publisher: Viking

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: April 1, 1939

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