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SUSHI FOR BEGINNERS

This Irish author’s standard mix of armchair psychology and hip female fun is a bit forced here, and the three-way split for...

Keyes, with a number of wry, funny novels about wry, funny women under her designer belt (Angels, 2002, etc.), falters in her sixth: a concoction with the usual ingredients but without the usual magic.

Having reached the top as editor of London’s glossiest fashion mag (not without the requisite bitchiness and backstabbing), Lisa Edwards is betting that the boys upstairs have summoned her to offer an even better position with their New York magazine. Instead, Lisa’s being shipped off to Dublin (for fashion it might as well be Dubai) to start up the new magazine Colleen. Sharing office space with Gaelic Knitting and Hibernian Bride, Lisa also finds a small and unfashionable staff. Ashling Kennedy is her editorial assistant and the perennial good girl. Dubbed “Miss Fix-it” by yummy corporate head Jack Devine, Ashling is superstitious, mildly neurotic, and a bit ordinary, but in the most likable way. Then there’s Ashling’s best friend, the beautiful Clodagh, who, with kind husband Dylan, two gorgeous little ones, a grand house in the city should be happy—but (naturally) she’s not, and longs for a moment of peace and quiet. Or a night out on the town. Or something that doesn’t involve the husband or kids. The three women forge ahead at various speeds: determined Lisa, stick-thin and already wearing next year’s fashion, has set her teeth on Jack Devine. Ashling, despite her insecurities, has come up with great ideas for the magazine and is dating a rising comedian, and Clodagh decides she wants to try for a job. But things for all three begin to fall apart, and each contemplates a nervous breakdown. It’s only Ashling, though, who’ll fail to rally at her bad news.

This Irish author’s standard mix of armchair psychology and hip female fun is a bit forced here, and the three-way split for the narrative works less well than investing in only one gal might have. Still, Keyes’s chic-lit (even this) is miles above the norm.

Pub Date: June 1, 2003

ISBN: 0-06-052050-7

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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