A resonant tale of resilience, bravery, and the power of forgiveness.
In Thomas’ novel, a prominent author struggling with profound loss and heartbreak strives to rediscover herself.
In the 2010s, novelist Raine Reynolds has a successful writing career, a best friend from childhood as her publicist, a loving husband of 15 years, and a beautiful Atlanta home. She endures some emotional hardships, including the tragic loss of her father and infant daughter, her husband’s extended unemployment, and other challenges, but she perseveres. Then she receives life-altering news during a book tour that changes everything: Her husband has been murdered by his lover. Feeling unmoored, Raine seeks solace in Paris, which she’s visited before and sees as a sanctuary: “In Paris, I felt like I found my being. It felt so right to be there. I hated to come back. To be honest, I just wish I could have stayed. Maybe I should go back there.” Now, five years later, as a senior vice president for an advertising agency, Raine finds herself back in Atlanta to open a new office. When an old acquaintance comes back into her life, she’s forced to reconcile with the past and determine if she can indeed go home again. Thomas, the author of Someone Like Me (2021), delivers smooth, evocative storytelling, portraying the raw realities of challenging experiences while also capturing the healing power of love. Raine is a relatable character as she deals with real-world problems; her reactions, choices, and decisions feel genuine and rational, but not conservatively so. Although her five-year emotional recovery in Paris takes place off-page, its results are seamlessly woven into the later narrative. Some elements of this emotional novel feel familiar at times, but readers will feel moved and inspired to root for the protagonist’s success.
A resonant tale of resilience, bravery, and the power of forgiveness.Pub Date: April 16, 2024
ISBN: 9781732488083
Page Count: 294
Publisher: L.B Publishing
Review Posted Online: Feb. 1, 2024
Kirkus Reviews Issue: March 15, 2024
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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