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OUT OF IRELAND

An engaging, poignant, and ultimately uplifting story with a likable protagonist.

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Wernicke presents an Irish immigration novel inspired by stories of her great-grandmother.

It’s 1867 in Bantry Bay, Ireland. Sixteen-year-old Eileen O’Donovan is daydreaming atop a branch of a large oak tree, her eyes fixed upon the gathering dark clouds and the building sea. Thirteen years ago, her father died working the fields of their small farm, given to him by a local earl in exchange for a portion of the farm’s annual proceeds. Now she, her mother, and her two older brothers, Michael and Martin, supplement their meager income by working at the earl’s estate, Blackthorn House. Hard times have again struck Ireland, and the O’Donovan family is barely scraping by, but Martin and Eileen’s mother have found a solution: The teenager must marry the 40-year-old widower John Sullivan, who owns a more prosperous farm. Bookish Eileen, who harbors dreams of romantic true love, is devastated. Despite opposition from Michael and the village priest, the wedding is set, and Eileen accepts her fate. Meanwhile, Michael becomes involved with the secret Irish Republican Brotherhood, known as the Fenians. Eileen’s loveless marriage, the danger brought upon the family by Michael’s revolutionary activities, and more crop failures propel the narrative’s first part and lead first to Michael’s and later to Eileen and John’s immigration to America, where the tale continues. Wernicke’s prose has a charming lilt to it, and her meticulous descriptions of late-19th-century daily life in Bantry Bay capture the physical beauty of the landscape and the feelings of hopelessness in a land roiled by poverty, famine, and political turmoil. As the story moves to America, it includes vivid portraits of crossing the Atlantic in steerage (“It was hot and stuffy with over a thousand people settling into their berths, calling out complaints and jokes about the bloody British”) and details the tragedies, struggles, and fortitude that define immigrant life. Although the novel occasionally skirts the edges of sentimentality, it nicely combines Eileen’s personal drama with historical elements of the time.  

An engaging, poignant, and ultimately uplifting story with a likable protagonist.

Pub Date: April 25, 2023

ISBN: 9781647423995

Page Count: 328

Publisher: She Writes Press

Review Posted Online: Jan. 18, 2023

Kirkus Reviews Issue: March 1, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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