by Mariana Ruiz Johnson ; illustrated by Mariana Ruiz Johnson ‧ RELEASE DATE: Jan. 9, 2018
Alluring, wordless enchantment.
Many visual stories play out during the night, between the time that a child falls asleep and then awakens.
This winner of the 2015 Silent Book Contest at the Bologna Book Fair may be wordless, but it overflows with stories. It demands that its viewers take their time going through the pages—and then going through them again. The beginning is simple: a light-skinned child falls asleep as an adult woman reads from a book whose cover sports stylized, anthropomorphic animals cavorting around a bonfire. Over several successive pages, the scene pans steadily outward—as with a wide-lens camera—so viewers see the child’s home situated in an urban neighborhood, and then more and more of that neighborhood. Against a backdrop of a starry sky, windows and rooftops of buildings reveal the child’s caregivers embracing, a nurse and patients in a hospital, an artist at an easel, and much more. As the angle widens, more characters emerge, and the initial stories continue. Art emerges on the easel; a crying baby finally sleeps; creatures resembling the bedtime book’s characters leave the city and paddle away on a long boat whose brilliant orange-and-gold pattern matches the sleeping child’s bedspread. Before the sophisticated, mixed-media artwork returns to the cityscapes, there are several joyous, vividly colored pages showing the creatures celebrating the night and the ensuing daybreak.
Alluring, wordless enchantment. (Picture book. 4-9)Pub Date: Jan. 9, 2018
ISBN: 978-1-4521-6599-8
Page Count: 36
Publisher: Chronicle Books
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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by Amy Krouse Rosenthal ; illustrated by Tom Lichtenheld ‧ RELEASE DATE: April 1, 2015
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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