One wonders what habitats are left for Berkes to tackle; here’s hoping there’s a least one more.
Berkes and Dubin tackle another habitat in their series of variations on “Over in the Meadow,” this time visiting the African savanna.
As in others in the series, each turn of the page/verse of the song introduces a new animal parent and an ever increasing number of babies as the family does something natural within its habitat: the zebras gallop, the giraffes slurp acacia leaves, the elephants squirt water, and the hippos graze. The mother lion teaches her five cubs to stalk, the babies hunkered down against the ground behind a screen of grass, though the prey is neither mentioned nor shown. The family group of chimpanzees swing in the trees “over in the grasslands,” which may be very confusing to young children. The backmatter explains that while most live in the rain forest, some have adapted to living in the savanna. Other animals include hornbills, aardvarks, meerkats, and jackals. All the animals are pictured on a map of the African continent in the backmatter, which also includes a paragraph of information about each, more about the savanna habitat, blurbs about the hidden animal in each spread, the requisite “Fact or Fiction” paragraph, notes from the author and illustrator, and the song lyrics and music. Some brilliant and unusual color choices, along with marvelously textured and patterned papers, make the cut-paper collage illustrations pop.
One wonders what habitats are left for Berkes to tackle; here’s hoping there’s a least one more. (Informational picture book. 3-7)Pub Date: Sept. 1, 2016
ISBN: 978-1-58469-567-7
Page Count: 32
Publisher: Dawn Publications
Review Posted Online: June 27, 2016
Kirkus Reviews Issue: July 15, 2016
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A bit predictable but pleasantly illustrated.
Bill Martin Jr and John Archambault’s classic alphabet book Chicka Chicka Boom Boom (1989) gets the Halloween treatment.
Chung follows the original formula to the letter. In alphabetical order, each letter climbs to the top of a tree. They are knocked back to the ground in a jumble before climbing up in sequence again. In homage to the spooky holiday theme, they scale a “creaky old tree,” and a ghostly jump scare causes the pileup. The chunky, colorful art is instantly recognizable. The charmingly costumed letters (“H swings a tail. / I wears a patch. J and K don / bows that don’t match”) are set against a dark backdrop, framed by pages with orange or purple borders. The spreads feature spiderwebs and jack-o’-lanterns. The familiar rhyme cadence is marred by the occasional clunky or awkward phrase; in particular, the adapted refrain of “Chicka chicka tricka treat” offers tongue-twisting fun, but it’s repeatedly followed by the disappointing half-rhyme “Everybody sneaka sneak.” Even this odd construction feels shoehorned into place, since “sneaking” makes little sense when every character in the book is climbing together. The final line of the book ends on a more satisfying note, with “Everybody—time to eat!”
A bit predictable but pleasantly illustrated. (Picture book. 3-7)Pub Date: July 15, 2025
ISBN: 9781665954785
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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