This majestic novel will satisfy those thirsting for an epic saga of love, family, and the complexities of the American way.
A sweeping, cinematic story of love and family set against the dramatic backdrop of World War II and the American West.
“You can’t save what you don’t love.” That’s the first sentence of Wiggins' new novel and a leitmotif throughout the book—a love story, in the classic sense, as well as a love letter to an American West celebrated by Hollywood even as it was sucked dry by the city of Los Angeles. It's also a lesson in how Wiggins’ languid, linguistically lush and lyrical novel, set in the aftermath of Pearl Harbor, found its way to completion. As the author’s daughter, photographer Lara Porzak, relays in an afterword, Wiggins was just a few chapters shy of completing the book when, in 2016, she suffered a massive stroke that affected her sequencing logic and short-term memory. Porzak worked from Wiggins’ notes and with a collaborator to help her mother complete the novel, saving it as a true labor of love. Given that painstaking process and the breathtaking beauty of the bulk of this novel, it would be ungrateful to gripe that the end doesn’t quite live up to the standard set by the previous chapters. To be sure, Wiggins set an extremely high bar. The book follows the experiences of several memorable characters, including Rockwell “Rocky” Rhodes, the scion of a wealthy East Coast railroad magnate, who has reinvented himself as a hardworking ranch man and impassioned preservationist; a Chicago-raised Jewish attorney named Schiff, who has been sent by the Department of the Interior to set up an internment camp for Japanese Americans in a desiccated former apple orchard adjacent to Rocky’s turf in Lone Pine, California; and Sunny, Rocky’s spirited daughter, a fiercely talented, mostly self-taught chef with whom Schiff falls in love. Wiggins’ interwoven plotlines—propelled here by romantic and there by familial love—and colorful characters are entrancing and as cinematic as the real-life Westerns that were filmed in the valley in which the book is primarily set. But what makes the novel soar is the way Wiggins can evoke landscapes both interior and exterior, especially the expansive valley that has come to exemplify America’s best qualities—and its worst.
This majestic novel will satisfy those thirsting for an epic saga of love, family, and the complexities of the American way.Pub Date: Aug. 2, 2022
ISBN: 978-1-4165-7126-1
Page Count: 544
Publisher: Simon & Schuster
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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