This majestic novel will satisfy those thirsting for an epic saga of love, family, and the complexities of the American way.
A sweeping, cinematic story of love and family set against the dramatic backdrop of World War II and the American West.
“You can’t save what you don’t love.” That’s the first sentence of Wiggins' new novel and a leitmotif throughout the book—a love story, in the classic sense, as well as a love letter to an American West celebrated by Hollywood even as it was sucked dry by the city of Los Angeles. It's also a lesson in how Wiggins’ languid, linguistically lush and lyrical novel, set in the aftermath of Pearl Harbor, found its way to completion. As the author’s daughter, photographer Lara Porzak, relays in an afterword, Wiggins was just a few chapters shy of completing the book when, in 2016, she suffered a massive stroke that affected her sequencing logic and short-term memory. Porzak worked from Wiggins’ notes and with a collaborator to help her mother complete the novel, saving it as a true labor of love. Given that painstaking process and the breathtaking beauty of the bulk of this novel, it would be ungrateful to gripe that the end doesn’t quite live up to the standard set by the previous chapters. To be sure, Wiggins set an extremely high bar. The book follows the experiences of several memorable characters, including Rockwell “Rocky” Rhodes, the scion of a wealthy East Coast railroad magnate, who has reinvented himself as a hardworking ranch man and impassioned preservationist; a Chicago-raised Jewish attorney named Schiff, who has been sent by the Department of the Interior to set up an internment camp for Japanese Americans in a desiccated former apple orchard adjacent to Rocky’s turf in Lone Pine, California; and Sunny, Rocky’s spirited daughter, a fiercely talented, mostly self-taught chef with whom Schiff falls in love. Wiggins’ interwoven plotlines—propelled here by romantic and there by familial love—and colorful characters are entrancing and as cinematic as the real-life Westerns that were filmed in the valley in which the book is primarily set. But what makes the novel soar is the way Wiggins can evoke landscapes both interior and exterior, especially the expansive valley that has come to exemplify America’s best qualities—and its worst.
This majestic novel will satisfy those thirsting for an epic saga of love, family, and the complexities of the American way.Pub Date: Aug. 2, 2022
ISBN: 978-1-4165-7126-1
Page Count: 544
Publisher: Simon & Schuster
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
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