A powerful novel about systemic racism that challenges readers.
Fourteen-year-old Ayomide struggles to balance life as an activist with her desire to simply be a regular teenager.
The year Ayo was born, her mother, Rosalie, founded See Us, an influential grassroots civil rights group. Similar to Black Lives Matter, See Us focuses on issues impacting Black people—police brutality, racial profiling, and an unjust prison system—but with a local focus on Harlem. Despite being raised in the movement, Ayo is ready to move on and experience life like any kid her age. After an emotional conversation, her mom lets her step away from See Us. Then Rosalie is shot by police at a protest and ends up in a coma, and Ayo must decide if she can take on a leadership role and resume the fight for justice. The main characters are Black, and Arnold seamlessly weaves into the story historical information as well as facts about current issues related to the presumption of Black people’s criminality. The campaign Rosalie organizes after an unarmed Black man is killed by police is especially poignant, shining light on the disproportionate number of Black victims in fatal traffic stops. The way Arnold poses the question of how much one must “pay for the crime of living while Black” will prompt both Black and non-Black readers to ask difficult questions of themselves and society at large. This is simultaneously an intimate story with rich character development and a call to action.
A powerful novel about systemic racism that challenges readers. (Fiction. 12-18)Pub Date: Aug. 2, 2022
ISBN: 978-0-358-44904-1
Page Count: 320
Publisher: Versify/HarperCollins
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
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