THE LONGEST WAIT

During a treacherous winter storm, a family anxiously waits for their mail-carrier father to come home. In a unique and effective design, readers are also held in suspense, anticipating the title page, which appears on the eighth page of the story, after the tension is built. The mother “worries up” some rolls in the kitchen while the protagonist, Thomas, stares out the window and looks forward to his father’s return with visions of together-time playing in the snow. But when the father comes home, he is ill. The family tends to him, riveted by his tales of braving the storm; although he cannot participate in snowball fights or sledding, the children are happy that he’s safely home where he belongs. Catalanotto combines winter watercolors and pencil to create contrasts in the cozy safety of home and the chilling blizzard outside; above full-color scenes of the family are two-color visions, realistic (playing in the snow) and imaginary (an angel speeding the father home). Through the narrative and illustration technique, two stories emerge—one of family togetherness, and another of a dedicated, hardworking hero. (Picture book. 5-8)

Pub Date: Sept. 1, 1998

ISBN: 0-531-06871-4

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1998

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Part of a spate of books intent on bringing the garbage collectors in children’s lives a little closer, this almost matches...

TRASHY TOWN

Listeners will quickly take up the percussive chorus—“Dump it in, smash it down, drive around the Trashy town! Is the trash truck full yet? NO”—as they follow burly Mr. Gilly, the garbage collector, on his rounds from park to pizza parlor and beyond.

Flinging cans and baskets around with ease, Mr. Gilly dances happily through streetscapes depicted with loud colors and large, blocky shapes; after a climactic visit to the dump, he roars home for a sudsy bath.

Part of a spate of books intent on bringing the garbage collectors in children’s lives a little closer, this almost matches Eve Merriam’s Bam Bam Bam (1995), also illustrated by Yaccarino, for sheer verbal and visual volume. (Picture book. 5-7)

Pub Date: April 30, 1999

ISBN: 0-06-027139-6

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

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RUSSELL THE SHEEP

Scotton makes a stylish debut with this tale of a sleepless sheep—depicted as a blocky, pop-eyed, very soft-looking woolly with a skinny striped nightcap of unusual length—trying everything, from stripping down to his spotted shorts to counting all six hundred million billion and ten stars, twice, in an effort to doze off. Not even counting sheep . . . well, actually, that does work, once he counts himself. Dawn finds him tucked beneath a rather-too-small quilt while the rest of his flock rises to bathe, brush and riffle through the Daily Bleat. Russell doesn’t have quite the big personality of Ian Falconer’s Olivia, but more sophisticated fans of the precocious piglet will find in this art the same sort of daffy urbanity. Quite a contrast to the usual run of ovine-driven snoozers, like Phyllis Root’s Ten Sleepy Sheep, illustrated by Susan Gaber (2004). (Picture book. 6-8)

Pub Date: April 1, 2005

ISBN: 0-06-059848-4

Page Count: 40

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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