Fans of this charming series won’t be disappointed.
Third in Brennan’s fine natural-history fantasy series, set six years after the events detailed in The Tropic of Serpents (2014).
This time, iconoclastic scientist Isabella, Lady Tren of Scirland, embarks on a two-year global voyage, hoping to determine the relationships among the endless varieties of dragon. Joining her aboard the research vessel Basilisk will be her commoner sidekick, Tom Wilker (here given little to do), her young son, Jake, and the vessel’s captain, Dione Aekitinos, who, we’re frequently reminded, is “mad,” although he never does or says anything that remotely warrants such an epithet. As they approach the tropics, Jake joyfully takes to the seafaring life, though to Isabella’s disappointment, he shows little interest in natural history. Also joining the expedition will be Suhail, an archaeologist whose theories—concerning an ancient, long-vanished civilization whose buildings, artifacts and script suggest they were dragon-tamers—neatly coincide with Isabella’s interests. Their relationship rapidly develops beyond the professional. But politics are never far away, with the expansionist empire of Yelang a looming threat. Then, entering the Broken Sea, a dreadful storm hurls the Basilisk onto a reef, necessitating extensive repairs. The inhabitants of the local archipelago are none too pleased with this development, suspecting them of being allies of the Yelang. Worse, they regard Isabella’s affinity for dragons and sea serpents as unnatural. This volume lacks the complexity and intensity of its predecessor but is nonetheless beautifully worked and thoroughly engrossing.
Fans of this charming series won’t be disappointed.Pub Date: March 27, 2015
ISBN: 978-0-7653-3198-4
Page Count: 352
Publisher: Tor
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
A new series starts off with a bang.
A queen and her young daughter are forced to separate and go into hiding when a corrupt politician tries to take over the kingdom.
Queen Cressa of Weirandale is worried about her 8-year-old daughter, the “princella” Cerúlia. The people of Weirandale worship a water spirit, Nargis, who grants each queen a special gift called a Talent. Cressa herself is able to meddle with memories, for example, and her mother possessed supernatural strategic abilities that served her well in battle. Cerúlia, however, appears to have none, because surely her insistence that she can talk to animals is only her young imagination running wild. When Cerúlia’s many pets warn her about assassins creeping into the royal chambers, the girl is able to save herself and her mother. Cressa uses her Talent, which actually extends to forcing anyone to tell her the truth, to root out traitors among the aristocracy, led by the power-hungry Lord Matwyck. Fearing for her daughter’s life and her own, Cressa takes Cerúlia and flees. Thinking Cerúlia will be safer away from her mother, Cressa takes the girl to a kind peasant family and adjusts their memories so they believe Cerúlia is their adopted daughter. Kozloff’s debut is the first of four Nine Realms books, and Tor plans to publish them over just four months. Luckily, the series opener is a strong start, so readers will be grateful for the short wait before Book 2. Kozloff sets a solid stage with glimpses into other characters and nations while keeping the book together with a clear, propulsive plot.
A new series starts off with a bang.Pub Date: Jan. 21, 2020
ISBN: 978-1-250-16854-2
Page Count: 496
Publisher: Tor
Review Posted Online: Sept. 29, 2019
Kirkus Reviews Issue: Oct. 15, 2019
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