by Marie Gottschalk ‧ RELEASE DATE: Dec. 7, 2014
A needed cry for justice, though perhaps unlikely to be heeded in this noisy second Gilded Age.
Of “punitive sentiments and punitive policies”—a searching study of the explosion of American prisons, seemingly one of the nation’s only growth industry.
The notion of the “carceral state” has been current for half a century, thanks in good part to Michel Foucault, but only recently have the statistics caught up to the theory. Gottschalk (Political Science/Univ. of Pennsylvania; The Prison and the Gallows: The Politics of Mass Incarceration in America, 2006, etc.) describes a kind of American gulag that has “sprouted in the shadows of mass imprisonment and has been extending its reach far beyond the prison gate.” On one hand are three-strikes laws and politicians enriching themselves at the trough of private prisons; on the other hand are powerful corrections-workers unions that resist reforms. All demand to be fed, and they are fed with prisoners in a rigged system that no one wants to fix. Gottschalk’s densely documented study—nearly a third of the book is notes and sources—is academic but accessible, and it has an urgency to it. As she observes, much reformist political energy has gone into the three Rs of “recidivism, reentry, and justice reinvestment” and entirely too little into investigating the social causes of crime, among them a vast racial imbalance brought on by such things as “the push to build up human capital rather than address the disappearance of good jobs.” Meanwhile, the carceral state grows at immense cost, both social and financial, unchecked legislatively or even at the level of the Supreme Court, which, Gottschalk argues, seems interested only in capital-level crimes while failing to make any contributions to determining “proportionality” in the punishment of crime. Even as the carceral state grows, Gottschalk concludes, crime persists—less so in affluent communities, but ragingly in minority areas,
A needed cry for justice, though perhaps unlikely to be heeded in this noisy second Gilded Age.Pub Date: Dec. 7, 2014
ISBN: 978-0691164052
Page Count: 456
Publisher: Princeton Univ.
Review Posted Online: Oct. 21, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
BOOK REVIEW
by Howard Zinn
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