Ardently whimsical, yet never centerless—solid stories about our tenuous times.
Twelve stories that slide into the magical while staying determinedly real.
The protagonists of Bertino’s stories tend to be beleaguered yet brave, quixotic yet stouthearted, bemused by but also compassionately attentive to the strange worlds they find themselves inhabiting. In the title story, Jo, a disaffected event planner for a national association of doctors, travels to her estranged father’s New Jersey home after his death only to discover that, in addition to the detritus of his mostly solitary life, she has also inherited his pet unicorn. In “The Night Gardener,” Claudia prepares her small patch of yard for the local Horticultural Society’s City Gardens Contest in a near-future world wherein species after species is succumbing to extinction. When balloons carrying messages seemingly meant just for her begin to appear in her garden, Claudia switches her focus from bearing witness to a departing world to attempting to communicate with what lies just over the horizon between the living and the dead, the present and the unimaginable future. Bertino’s characters—largely women living through interstitial periods between love affairs (“Edna in Rain,”), during the death throes of marriages (“Can Only Houses Be Haunted?”), between accident and aftermath (“Lottie Woodside and the Diamond Dust Cher”)—are unique in their own right but also comfortable vessels for readers’ experiences of feeling adrift in a world that admits to no defining beginnings and no definitive ends. Even if the reader’s world does not include unicorns, semisentient balloons, or ex-lovers falling from the sky, it is a good bet the characters who experience these travails will remind us of our neighbors, our friends, even ourselves as we navigate their worlds in Bertino’s confident hands.
Ardently whimsical, yet never centerless—solid stories about our tenuous times.Pub Date: April 22, 2025
ISBN: 9780374616472
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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