by Marie-Helene Bertino ‧ RELEASE DATE: April 22, 2025
Ardently whimsical, yet never centerless—solid stories about our tenuous times.
Twelve stories that slide into the magical while staying determinedly real.
The protagonists of Bertino’s stories tend to be beleaguered yet brave, quixotic yet stouthearted, bemused by but also compassionately attentive to the strange worlds they find themselves inhabiting. In the title story, Jo, a disaffected event planner for a national association of doctors, travels to her estranged father’s New Jersey home after his death only to discover that, in addition to the detritus of his mostly solitary life, she has also inherited his pet unicorn. In “The Night Gardener,” Claudia prepares her small patch of yard for the local Horticultural Society’s City Gardens Contest in a near-future world wherein species after species is succumbing to extinction. When balloons carrying messages seemingly meant just for her begin to appear in her garden, Claudia switches her focus from bearing witness to a departing world to attempting to communicate with what lies just over the horizon between the living and the dead, the present and the unimaginable future. Bertino’s characters—largely women living through interstitial periods between love affairs (“Edna in Rain,”), during the death throes of marriages (“Can Only Houses Be Haunted?”), between accident and aftermath (“Lottie Woodside and the Diamond Dust Cher”)—are unique in their own right but also comfortable vessels for readers’ experiences of feeling adrift in a world that admits to no defining beginnings and no definitive ends. Even if the reader’s world does not include unicorns, semisentient balloons, or ex-lovers falling from the sky, it is a good bet the characters who experience these travails will remind us of our neighbors, our friends, even ourselves as we navigate their worlds in Bertino’s confident hands.
Ardently whimsical, yet never centerless—solid stories about our tenuous times.Pub Date: April 22, 2025
ISBN: 9780374616472
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Bonnie Garmus ‧ RELEASE DATE: Oct. 13, 2026
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
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