by Marie-Louise Fitzpatrick & illustrated by Marie-Louise Fitzpatrick ‧ RELEASE DATE: Sept. 1, 2006
With arms firmly crossed and a heavy frown upon her forehead, Beth clearly broadcasts to her family that she is not having a good day. Unlike Judith Viorst’s classic Alexander, Beth does not face one disappointment after another. Instead, Beth’s many relatives try their best to make her smile. Silly Grandma tries a monkey finger puppet but it just results in Beth’s lower lip sticking out further. Silly Auntie Bea plays dress-up with Beth, who merely folds her arms and taps her foot in irritation. After all of her other relatives fail to make Beth feel better, big sister Ann saves the day by pretending to look as cross as Beth. Making crabby faces at each other makes the girls dissolve into giggles and then share a hug. Illustrations are colorful, straightforward yet evocative, and should attract toddlers. Interesting uses of perspective enhance the isolation Beth feels. This simple but effective story is sure to perk up sulky children and perhaps give parents a new coping skill. (Picture book. 3-5)
Pub Date: Sept. 1, 2006
ISBN: 1-84507-547-1
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
Share your opinion of this book
More by Michael Emberley
BOOK REVIEW
by Michael Emberley & Marie-Louise Fitzpatrick ; illustrated by Marie-Louise Fitzpatrick & Michael Emberley
BOOK REVIEW
by Marie-Louise Fitzpatrick and illustrated by Marie-Louise Fitzpatrick
BOOK REVIEW
by Marie-Louise Fitzpatrick & illustrated by Marie-Louise Fitzpatrick
by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Share your opinion of this book
More In The Series
by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
by Tom Percival ; illustrated by Tom Percival
More by Tom Percival
BOOK REVIEW
by Tom Percival ; illustrated by Tom Percival
BOOK REVIEW
by Tom Percival ; illustrated by Tom Percival
BOOK REVIEW
by Tom Percival ; illustrated by Tom Percival
by Paul Schmid ; illustrated by Paul Schmid ‧ RELEASE DATE: July 1, 2014
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
Share your opinion of this book
More by Michelle Sinclair Colman
BOOK REVIEW
by Michelle Sinclair Colman ; illustrated by Paul Schmid
BOOK REVIEW
by Michelle Sinclair Colman ; illustrated by Paul Schmid
BOOK REVIEW
by Laurie Ann Thompson ; illustrated by Paul Schmid
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.