The year clavier prodigy Maria Anna Mozart’s younger brother, Wolfgang Amadeus, begins to show an even more astonishing musical genius, a mysterious boy from a fairy land enters her life.
Lu (Rebel, 2019, etc.) interweaves 18th-century historical figures and events with a fantasy land called the Kingdom of Back, an alternate world actually invented and named by the real Mozart siblings, Nannerl and Woferl, where trees grow upside down and a prince and princess are missing. Hyacinth, a beautiful, shadowy boy, pale and blue-eyed, is the go-between who offers Nannerl figurative immortality in return for her help. As Nannerl craves her father’s attention and wishes to escape the inevitable anonymity that womanhood promises, she agrees. Over the next decade, she straddles both worlds, performing, composing, and navigating relationships with Woferl and her domineering father in one while battling supernatural foes for Hyacinth in the other. But as she grows, so do her doubts. Is Hyacinth the benevolent fairy he claims to be? Is success at her brother’s expense really what she wanted? Lu’s melding of history and fantasy is a clever idea, but the Kingdom of Back and its denizens feel like stock figures compiled from generic fairy tales in contrast to her portrayal of the real Mozarts’ lives, which is much more remarkable, emotional, and compelling than the fantasy land.
A historical fiction/fantasy mashup with crossover appeal. (maps, author’s note) (Historical fantasy. 12-18)Pub Date: March 3, 2020
ISBN: 978-1-5247-3901-0
Page Count: 336
Publisher: Putnam
Review Posted Online: Dec. 16, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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Engrossing, contemplative, and as heart-wrenching as the title promises.
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What would you do with one day left to live?
In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.
Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).Pub Date: Sept. 5, 2017
ISBN: 978-0-06-245779-0
Page Count: 384
Publisher: HarperTeen
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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This story is necessary. This story is important.
23
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Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.
Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.
This story is necessary. This story is important. (Fiction. 14-adult)Pub Date: Feb. 28, 2017
ISBN: 978-0-06-249853-3
Page Count: 464
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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