Original and sobering, Adelina is an antihero of nigh-unremitting darkness: an unusual young woman in the mold of such...

THE ROSE SOCIETY

From the Young Elites series , Vol. 2

A heroine's tragic tumble dominates the second volume of this trilogy.

After Adelina's expulsion by the Daggers for the dreadful events at the conclusion of The Young Elites (2014), she and her sister flee abroad seeking allies for their vendetta. The sisters are malfettos, survivors of the blood fever, marked with physical changes that leave them hated and feared in their native Kenettra. Kenettra's now ruled by the sister of Adelina's beloved Enzo, crown prince of Kenettra, who was killed by Adelina's own mistakes. The new queen allows her Inquisitor lover to take out his anti-malfetto hatred by enslaving the country's non-Elite malfettos: mere scarred victims without the phenomenal cosmic powers marking Young Elites. Adelina claims her goal is rescue of the malfettos, but she is truly motivated by less pure urges: vengeance on the Daggers, who cast her out; destruction of the Inquisitor, for all the harm he's done to Adelina and Enzo; and sheer ambition, as she’s egged on by the whispering voices in her head that fuel her illusion-shaping powers. Adelina's new allies try to soften her more spine-chilling urges, but they're not models of temperance and morality themselves. The direction of this trilogy's conclusion is left refreshingly difficult to predict.

Original and sobering, Adelina is an antihero of nigh-unremitting darkness: an unusual young woman in the mold of such archetypes as Lucifer, Macbeth, and Darth Vader—and even Kissin' Kate Barlow from Holes . (Fantasy. 13 & up)

Pub Date: Oct. 13, 2015

ISBN: 978-0-399-16784-3

Page Count: 416

Publisher: Putnam

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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A resounding success.

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CONCRETE ROSE

This literary DeLorean transports readers into the past, where they hope, dream, and struggle alongside beloved characters from Thomas’ The Hate U Give (2017).

The tale begins in 1998 Garden Heights, when Starr’s parents, Maverick and Lisa, are high school seniors in love and planning for the future. Thomas proves Game of Thrones–esque in her worldbuilding ability, deepening her landscape without sacrificing intimacy or heart. Garden Heights doesn’t contain dragons or sorcerers, but it’s nevertheless a kingdom under siege, and the contemporary pressures its royalty faces are graver for the realness that no magic spell can alleviate. Mav’s a prince whose family prospects are diminished due to his father’s federally mandated absence. He and his best friend, King, are “li’l homies,” lower in status and with everything to prove, especially after Mav becomes a father. In a world where masculinity and violence are inextricably linked to power, the boys’ very identities are tied to the fathers whose names they bear and with whose legacies they must contend. Mav laments, “I ain’t as hard as my pops, ain’t as street as my pops,” but measuring up to that legacy ends in jail or the grave. Worthy prequels make readers invest as though meeting characters for the first time; here they learn more about the intricate hierarchies and alliances within the King Lord gang and gain deeper insight into former ancillary characters, particularly Mav’s parents, King, and Iesha. Characters are Black.

A resounding success. (Fiction. 13-18)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-284671-6

Page Count: 320

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Nov. 9, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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