A revealing, richly textured portrait of the lives of those who put food on our tables.
Literate travels in the forgotten American hinterlands.
Mockett (Where the Dead Pause, and the Japanese Say Goodbye, 2015, etc.) is a child of “the coasts: seventeen years in California, four years of college in New York City, more years of ping-ponging between the East and West Coasts,” the kind of person likely to think of the territory in between as flyover country. Yet, with a Japanese mother and High Plains father, she knows that ground well, having spent summers on a family farm that spilled over from Nebraska into Colorado. The author returned to explore the work of itinerant contract or “custom” harvesters whose “routes across state lines were established by men, who handed down their itineraries to their sons, and harvesting became a family business.” Traveling with one such family across the center of the country, Mockett analyzes the divides between rural and urban, religious and apathetic or atheistic, conservative and liberal. Even in her own family, she writes, those differences were profound, but what is a bicoastal, educated person to make of someone who believes “that man was around at the time of the dinosaur”? Refreshingly, the author finds that conversation is just the thing; with it, some stereotypes shade away or at least become more complicated, as with that young fundamentalist who also maintained that if someone is pro-life, “they would help children, not just abandon them.” On the other hand, some farmers and harvesters spend their off time at the Omniplex, a sprawling science museum in Oklahoma City, and some hold education and the “uncharted world” in our minds in esteem while others hold the Bible to be the sole truth. What some city sophisticates dismiss as monoculture, many country people praise as progress. Throughout, Mockett’s portrait is nuanced, revealing those overlooked people in counties likely to have voted for the sitting president to be worth paying attention to.
A revealing, richly textured portrait of the lives of those who put food on our tables.Pub Date: April 7, 2020
ISBN: 978-1-64445-017-8
Page Count: 416
Publisher: Graywolf
Review Posted Online: Jan. 6, 2020
Kirkus Reviews Issue: Feb. 1, 2020
BOOK REVIEW
BOOK REVIEW
Entertaining as pulp fiction, real as a federal indictment.
A cocky bad boy of finance recalls, in much detail and scabrous language, his nasty career as a master of his own universe.
At a young age, in an industry with many precocious bandits, Belfort ran a Long Island–based brokerage with the deceptively WASP-y name of Stratton Oakmont. It was a bucket shop habitually engaged in crooked underwritings. Its persuasive boss was a stock manipulator and tax dodger; he details the stock kiting, share parking, money laundering and customer swindles. Many millions poured in, and cash brought with it excess upon excess. Along with compliant women and copious drugs, there were multiple mansions, many servants, aircraft, yachts and, for all the guys on the trading floor, trophy wives. Among his under-the-table and beneath-the-sheets activities, the author’s most imperative seemed to be sex and dope-taking, despite his professed abiding love for his (now ex) wife and kids. Belfort’s portrait of his family is vivid, as is his depiction of the merry cast of supporting players: sweet Aunt Patricia, a Swiss forger, evil garmentos, Mad Max (Stratton’s CFO and his father). The melodrama covers coke snorting, Quaalude eating, kinky sex, violence, car wrecks, even a sick child and a storm at sea. “A cautionary tale,” the author calls it. It is crass, certainly, and vulgar—and a hell of a read. Belfort displays dirty writing skills many basis points above his tricky ilk. His chronicle ends with his arrest for fraud. Now, with 22 months in the slammer behind him, he’s working on his next book.
Entertaining as pulp fiction, real as a federal indictment.Pub Date: Oct. 2, 2007
ISBN: 978-0-553-80546-8
Page Count: 522
Publisher: Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
BOOK REVIEW
BOOK REVIEW
A book that will challenge readers as much as the author has challenged herself.
A fiercely provocative and intellectually audacious memoir that focuses on motherhood, love and gender fluidity.
Nelson (Critical Studies/CalArts; The Art of Cruelty: A Reckoning, 2012, etc.) is all over the map in a memoir that illuminates Barthes and celebrates anal eroticism (charging that some who have written about it hide behind metaphor, whereas she’s plain from the first paragraph that she’s more interested in the real deal). This is a book about transitioning, transgendering, transcending and any other trans- the author wants to connect. But it’s also a love story, chronicling the relationship between the author and her lover, the artist Harry Dodge, who was born a female (or at least had a female name) but has more recently passed for male, particularly with the testosterone treatments that initially concerned the author before she realized her selfishness. The relationship generally requires “pronoun avoidance.” This created a problem in 2008, when the New York Times published a piece on Dodge’s art but insisted that the artist “couldn’t appear on their pages unless you chose Mr. or Ms….You chose Ms., ‘to take one for the team.’ ” Nelson was also undergoing body changes, through a pregnancy she had desired since the relationship flourished. She recounts 2011 as “the summer of our changing bodies.” She elaborates: “On the surface it may have seemed as though your body was becoming more and more ‘male,’ mine more and more ‘female.’ But that’s not how it felt on the inside.” The author turns the whole process and concept of motherhood inside out, exploring every possible perspective, blurring the distinctions among the political, philosophical, aesthetic and personal, wondering if her writing is violating the privacy of her son-to-be as well as her lover. Ultimately, Harry speaks within these pages, as the death of Dodge’s mother and the birth of their son bring the book to its richly rewarding climax.
A book that will challenge readers as much as the author has challenged herself.Pub Date: May 5, 2015
ISBN: 978-1-55597-707-8
Page Count: 160
Publisher: Graywolf
Review Posted Online: Jan. 14, 2015
Kirkus Reviews Issue: Feb. 1, 2015
PERSPECTIVES
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