An affecting story of personal transformation, as broody as it is erotic.
A stifled Japanese American writer, separated from her family during the pandemic, finds unexpected intimacy with an arborist.
When an unnamed middle-aged writer and professor learns her mother has been diagnosed with dementia, she returns to her Northern California childhood home, leaving her two daughters and husband behind in Hong Kong. This decision coincides with the onset of the pandemic—referred to coyly as “the sickness”—and suddenly what was supposed to be a short stay has no end in sight. Having placed her mother in a care facility, the narrator splits her time between teaching an online college course on Japanese aesthetics; video calling her husband, who is preoccupied by work; and tending to her mother’s expansive but struggling garden. A local nursery recommends she consult with a man known as the Tree Doctor, whose body immediately enthralls her: His eyes “suggested to her something molten whirling around at his core”; his “hands were like the branches of an oak.” What follows is a raw, passionate affair spent between the garden and the bedroom, where the Tree Doctor uncovers a desire the writer is unaccustomed to, and where she pushes herself toward the overlap of pleasure and pain. Isolated from society, she rediscovers herself in her body, invigorated by the idea that she is at her core a piece of nature. “Can you wake up a body the way you can wake up a tree?” she asks, and indeed that seems to be the case. Through a yearning first-person narration, the protagonist’s trials evoke difficult but vital questions about survival and endurance: When does a person admit that a loved one’s declining health can’t be reversed? When does a society concede the fact that “there would never again be a ‘normal’” and learn to adapt? These interrogations are threaded seamlessly into the narrator’s pursuit of her own power, a pursuit that reveals just how liberating the decision to dismantle and reassemble one’s self can be.
An affecting story of personal transformation, as broody as it is erotic.Pub Date: March 19, 2024
ISBN: 9781644452776
Page Count: 256
Publisher: Graywolf
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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