by Marie NDiaye ; translated by Jordan Stump ‧ RELEASE DATE: Sept. 8, 2020
Part ghost story, part satiric horror, this gorgeously eerie book will keep you holding your breath even past the end.
A Parisian family that summers each year in a small village learns the hard way they have overstayed their welcome in this deeply unsettling and slippery novella.
On Sept. 1, Herman embarks on a search for his wife, Rose, and their son, who had gone to the neighboring farmhouse to pick up eggs and not returned. Never having stayed past the end of August before, he is shocked by the sudden turn in the weather from sunny and temperate to cold and rainy literally overnight, a pathetic fallacy and our first introduction to the village as a character of menacing proportions, populated by disturbing residents, all of whom slide sideways around Herman’s ever increasing anxiety in charming, yet frighteningly empty, ways. When he seeks out the village’s mayor to tell him what's going on, he meets Alfred, the president of the Chamber of Commerce, who turns out to be a former Parisian who also once stayed past summer’s end. Alfred takes Herman on as a project, vowing to turn him into a local, and sets Herman on a path where he must find a way to withstand the unending gray, stormy landscape or simply melt away. As he attempts to navigate the village’s internal politics and strangely archaic rituals with Alfred’s help, he falls helplessly into its life as if tumbling down a rabbit hole into Wonderland, his urgency slowly transforming to inert apathy. When he finally learns what happened to his wife and child, he ends up with more questions than answers. Utterly compelling in tone, plot, and style, this slim, sleek story has a veneer of sly sophistication that belies the horror of malignancy within the village and Herman himself.
Part ghost story, part satiric horror, this gorgeously eerie book will keep you holding your breath even past the end.Pub Date: Sept. 8, 2020
ISBN: 978-1-931883-91-7
Page Count: 128
Publisher: Two Lines Press
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Marie NDiaye ; translated by Jordan Stump
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by Marie NDiaye ; translated by Jordan Stump
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by Marie NDiaye ; translated by Jordan Stump
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PERSPECTIVES
by Lily King ‧ RELEASE DATE: Oct. 7, 2025
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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