Young Max runs against the tide. He is a wolf who can’t stand hunting: “Hunting is nasty, cruel, horrible. I will never be a hunter.” He would rather be a florist. This has Papa up in arms. “You, my son, will follow family tradition. And that is that!” But Max resists. His father figures if he can get his son interested in hunting, he will forego this florist business. And if he can’t, then Papa will eat his hat. Soooo, Papa eats his hat. Then he tries to convince Max that being a florist is too dangerous. He eats his pillow. He tries to make Max sick of the smell of flowers by dousing his bed with perfume. Max, of course, loves the smell, so much so that he changes his mind about being a florist; he will become a maker of perfumes. His father eats the china. Children will likely miss all the associations that adults will bring to this loaded combination of sensibilities, so the book works mainly as an encouragement to listen to your own drummer, though it lumbers under the weight of its agenda. The tone is sniping and crotchety, and the comments by Max about how he likes to get his dinner—“I like meat that you buy, but not meat that you hunt”—is woeful testimony about how we protect ourselves against the rough and tumble of the world by letting others do the dirty work for us. There is a certain amount of droll picture making going on, but most of it gets lost in all the palaver. (Picture book. 3-6)
Pub Date: Feb. 28, 2001
ISBN: 0-06-029417-5
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
A sweet reminder that it’s easy to weather a storm with the company and kindness of friends.
Is it a stormy-night scare or a bedtime book? Both!
Little Blue Truck and his good friend Toad are heading home when a storm lets loose. Before long, their familiar, now very nervous barnyard friends (Goat, Hen, Goose, Cow, Duck, and Pig) squeeze into the garage. Blue explains that “clouds bump and tumble in the sky, / but here inside we’re warm and dry, / and all the thirsty plants below / will get a drink to help them grow!” The friends begin to relax. “Duck said, loud as he could quack it, / ‘THUNDER’S JUST A NOISY RACKET!’ ” In the quiet after the storm, the barnyard friends are sleepy, but the garage is not their home. “ ‘Beep!’ said Blue. ‘Just hop inside. / All aboard for the bedtime ride!’ ” Young readers will settle down for their own bedtimes as Blue and Toad drop each friend at home and bid them a good night before returning to the garage and their own beds. “Blue gave one small sleepy ‘Beep.’ / Then Little Blue Truck fell fast asleep.” Joseph’s rich nighttime-blue illustrations (done “in the style of [series co-creator] Jill McElmurry”) highlight the power of the storm and capture the still serenity that follows. Little Blue Truck has been chugging along since 2008, but there seems to be plenty of gas left in the tank.
A sweet reminder that it’s easy to weather a storm with the company and kindness of friends. (Picture book. 3-6)Pub Date: Oct. 22, 2019
ISBN: 978-1-328-85213-7
Page Count: 32
Publisher: HMH Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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