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BEFORE I LET GO

Intriguingly spooky but never quite coheres

Seven months after Corey left her hometown of Lost Creek, Alaska, and her best friend, Kyra, behind, she returns, grief-stricken, to learn what caused Kyra’s death.

Expecting the comfort of shared grief over Kyra’s loss, Corey’s instead treated with coldness and suspicion. Kyra’s parents house her with discomfort, and the more Corey probes for answers, the more opposition she faces and the more isolated she becomes. Their friendship had been strained by Kyra’s intensifying bipolar disorder, their different ways of interpreting the world, and Kyra’s unrequited romantic love for Corey, yet their bond endured until Corey moved away. Thereafter, Kyra painted obsessively—vibrant murals and vivid paintings in town and at the abandoned hot springs resort where she spent her last months. The community expresses new reverence for Kyra and her art, which they view as revitalizing the community’s fortunes. Mysteries proliferate: what accounts for the abundant fresh salmonberry flowers in January? Corey’s isolation is compounded by both the isolated Alaska setting and a sense of horrors hidden in plain sight. What’s missing is a connection between the two girls’ complicated friendship and the archetypal horror narrative that fuels the tale’s compulsive readability. The author’s avoidance of clear references to Alaska’s Native heritage belies the thematic insistence on the power of storytelling to shape the world. Settlers stole the land, readers are told, but the story of this thievery remains untold.

Intriguingly spooky but never quite coheres . (Suspense. 12-16)

Pub Date: Jan. 23, 2018

ISBN: 978-1-4926-4228-2

Page Count: 368

Publisher: Sourcebooks Fire

Review Posted Online: Sept. 30, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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NEVER FALL DOWN

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers...

A harrowing tale of survival in the Killing Fields.

The childhood of Arn Chorn-Pond has been captured for young readers before, in Michelle Lord and Shino Arihara's picture book, A Song for Cambodia (2008). McCormick, known for issue-oriented realism, offers a fictionalized retelling of Chorn-Pond's youth for older readers. McCormick's version begins when the Khmer Rouge marches into 11-year-old Arn's Cambodian neighborhood and forces everyone into the country. Arn doesn't understand what the Khmer Rouge stands for; he only knows that over the next several years he and the other children shrink away on a handful of rice a day, while the corpses of adults pile ever higher in the mango grove. Arn does what he must to survive—and, wherever possible, to protect a small pocket of children and adults around him. Arn's chilling history pulls no punches, trusting its readers to cope with the reality of children forced to participate in murder, torture, sexual exploitation and genocide. This gut-wrenching tale is marred only by the author's choice to use broken English for both dialogue and description. Chorn-Pond, in real life, has spoken eloquently (and fluently) on the influence he's gained by learning English; this prose diminishes both his struggle and his story.

Though it lacks references or suggestions for further reading, Arn's agonizing story is compelling enough that many readers will seek out the history themselves. (preface, author's note) (Historical fiction. 12-15)

Pub Date: May 8, 2012

ISBN: 978-0-06-173093-1

Page Count: 224

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: March 20, 2012

Kirkus Reviews Issue: April 15, 2012

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