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AT THE END OF EVERYTHING

A gripping story about marginalized citizens navigating a global pandemic.

The Hope Juvenile Treatment Center, run by private corporation Better Futures, is home to 31 young adults and the harsh, abusive officers who guard them.

When yersinia pestis modernis, a new strain of the medieval plague, rips through the country, leaving death and destruction in its wake, the guards at the Hope Center, indifferent to their teenage charges’ fates, abandon their posts. Left to fend for themselves in a world that forgot about them during a crisis, the kids left behind in a remote part of the Ozarks have to learn how and whom to trust and, above all else, what to do in order to survive. When Leah falls ill, Grace, Emerson, and Logan (who is Leah’s twin sister) work together to keep each other safe as best they can despite facing disease and death. Nonbinary Emerson is grappling with their Catholic faith, and neurodiverse Logan rarely speaks, communicating with Leah using their own invented sign language. The beautifully written, lyrical prose enhances this riveting, fast-paced thriller that may hit very close to home for readers struggling through the Covid-19 pandemic. The alternating first-person narratives and interspersed phone call transcripts keep readers close to the action and occasionally will bring them close to tears. Main characters are White; the supporting characters are racially diverse.

A gripping story about marginalized citizens navigating a global pandemic. (content warning, trans support resource, author's note) (Thriller. 14-18)

Pub Date: Jan. 25, 2022

ISBN: 978-1-4926-7315-6

Page Count: 320

Publisher: Sourcebooks Fire

Review Posted Online: Oct. 25, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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STALKING JACK THE RIPPER

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

A treat for mystery readers who enjoy being kept in suspense.

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Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 27, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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