Tamaki’s (Laura Dean Keeps Breaking up With Me, 2019, etc.) version of Harley operates with a moral compass while still being bubbly and outgoing.
Harley has been sent to live with her grandmother in Gotham City. She discovers her grandmother has died, but apartment manager Mama, a white, gay man who also manages the local drag queen bar, lets her stay. Harley finds her place among a colorful “mutiny of queens” and makes a new best friend, Ivy Du-Barry. Ivy, who is biracial (Chinese and black), carries the bulk of the load when it comes to educating Harley, who is white, about intersectionality, representation in media, and the gentrification of their neighborhood. Harley’s happiness doesn’t last—Mama receives news of an impending eviction and crosses paths with the Joker. Through flashbacks, shaded in orange, readers get a deeper understanding of what motivates her to fight for what she loves. Pugh (Supergirl, Vol. 3: Girl of No Tomorrow, 2018, etc.) uses a mostly gray and black color palette with background bursts of scarlet. When characters are truly in their element, their signature colors are used: a red and black scheme for Harley, shades of green for Ivy, and the Joker’s signature purple. The fast-paced plot enhanced by Harley's trademark style of speech examines the impact of gentrification, and Harley’s character development follows a redemptive arc that will have readers rooting for her and her colorful family.
A riotous read. (Graphic novel. 13-18)