A sensitive refugee story rooted in identity.
Names hold power, and one child holds on to his for dear life.
A curious child asks about his name: “What does it mean? Is there a motive behind it? A reason?” Insights from family members reveal deep connections between the child’s name and the history he carries. As his parents and grandfather reminisce about lullabies and an afternoon spent harvesting olives, the tawny-skinned boy seems comforted and empowered. He is bolstered by memories of scent, place, and pastimes. “That’s why many of my friends and I write out our names…all over our bodies. Because we know that the names we were given are much more than sounds and letters.” Scenes of visible hardship, alongside subtle visual cues—a four-colored kite, a watermelon, a keffiyeh—place the story in war-torn Palestine but don’t explain that names are often scrawled on children’s limbs to identify them in the event of death. Translated from Portuguese, the minimal first-person text delivers a fairly gut-wrenching tale with respectful, calm reflection. Arabic script and names are sprinkled through mixed-media illustrations featuring accents of rust and poppy red, with the boy’s parents depicted in exaggerated proportions within canted artwork that conveys his precarious sense of equilibrium. This dignified and stirring narrative pairs well with Hannah Moushabeck’s Homeland (2023) and should resonate with readers from many diasporas.
A sensitive refugee story rooted in identity. (author’s note) (Picture book. 5-8)Pub Date: Sept. 22, 2026
ISBN: 9781779461650
Page Count: 48
Publisher: Groundwood
Review Posted Online: Aug. 3, 2026
Kirkus Reviews Issue: Sept. 1, 2026
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Say hello to a relatable and rewarding early reader!
Fun with friends makes for a great day.
Norbit, a salmon-colored worm with a pink kerchief, joyfully greets the day and everyone he encounters. “Hello, friends! It’s time for fun with the sun! Let’s play!” He and his menagerie of forest pals—including the sun, who grows limbs and descends from the sky—exuberantly engage in various forms of physical activity such as jumping, going down a slide, spinning around, and watching the clouds go by. Young readers will readily relate, as these are games that most children are familiar with. As day turns to night, Norbit says farewell to Sun and welcomes Moon with an invitation to continue the fun. Watkins has created a vivid world of movement and merriment. Her illustrations feature bright bursts of color that match the energy of the text, with most sentences ending in an exclamation point. The author/illustrator incorporates many elements that make for an ideal early-reading experience (despite the use of a contraction or two): art free from clutter, text consisting of words with only one or two syllables, and repetition and recurring bits, such as a continued game of hide-and-seek with Sun. Inspired by never-before-seen sketches from the Dr. Seuss Collection archives at the University of California San Diego, this is the first title for Seuss Studios, a new imprint for original stories from “emerging authors and illustrators” who “honor Seuss’s hallmark spirit of creativity and imagination.”
Say hello to a relatable and rewarding early reader! (author's note) (Early reader. 5-8)Pub Date: Jan. 7, 2025
ISBN: 9780593646212
Page Count: 48
Publisher: Seuss Studios
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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