Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2015


  • Asian/Pacific American Award for Literature Winner

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FULL CICADA MOON

In her acknowledgments, the author states that Mimi is “for anyone who has big dreams but is short on courage.” By the...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Asian/Pacific American Award for Literature Winner

Perhaps a few books manage to capture tweendom's chaos, but too few catch its poetry.

Hilton offers readers the indelible character of Mimi, a half-Japanese, half-black seventh-grader who travels with her mom, Emiko, from their old home in Berkeley, California, to Vermont, where her dad, James, works as a college professor. She’s the new kid at her school during the second half of the 1969 school year—around the time the U.S. starts withdrawing troops from Vietnam and lands on the moon. As Mimi hitches her career dreams to the lunar landing, microaggressions—those daily intentional and unintentional slights, snubs, and insults aimed at people solely because they belong to a marginalized group like Mimi and her interracial family—drag her back to Earth. Spare verse viscerally evokes the shattering impacts these everyday forms of bigotry from family, teachers, neighbors, townspeople, and schoolmates (“I’m trying hard to smile… / and pretend I don’t see… / that kids are making squint-eyes at me”) cause even as Mimi makes fast pals with Stacey, the Southern white girl with “that accent / as fragrant as lilacs,” and a slower, deeper bond with Timothy, the white boy living next door.

In her acknowledgments, the author states that Mimi is “for anyone who has big dreams but is short on courage.” By the book’s end, readers will be moved by the empathetic lyricism of Mimi’s maturing voice. (glossary, pronunciation guide) (Verse/historical fiction. 8-12)

Pub Date: Sept. 8, 2015

ISBN: 978-0-5254-2875-6

Page Count: 400

Publisher: Dial Books

Review Posted Online: June 5, 2015

Kirkus Reviews Issue: June 15, 2015

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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