Tangentially inspired by an old English ballad (LC's 398.2 designation is questionable), this tale of a maiden found unconscious on a snowy moor has grand atmosphere but some unresolved mysteries. The maiden, taken in and cared for by a shepherd, awakens and begs the shepherd's smallest dog to slay her; in death she becomes both a goose soaring into the sky and a new maiden. The shepherd, till this moment in despair over the disappearance of the original maiden (whom he has come to love), joyfully welcomes the new one as his life's companion, knowing nothing of the sorcery and shape-shifting. Readers never learn why the goose was imprisoned in human form, nor how she came to be on the moor, nor why she did not confide her plight to the shepherd. Bleak Scottish moors are the background for colored-pencil illustrations in chill tones of gray, buff, and midnight blue, with the maiden rendered in pre-Raphaelite, alabaster beauty. Howell (The Ugly Duckling, Putnam, 1990, etc.) makes fuller use of the original ballad than Singer (Sky Words, Macmillan, 1994, etc.), by working flowers named there into decorative panels and borders. An illuminated initial capital and Celtic interlaces on many pages help establish the mood of antiquity. An adapted version of the ballad appears as a preface. (Picture book. 8-12)
Pub Date: April 1, 1995
ISBN: 0-688-08674-8
Page Count: 40
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1995
Apolonia “Lina” Flores loves science and mathematical riddles, playing volleyball and collecting extravagant, romantic and lonely socks. But after the sudden death of her mother, her world in Corpus Christi, Texas, makes no sense: Her kind but distant English-teacher father has filled the house with books, and her best friend, Vanessa, has problems of her own. Vanessa’s parents have divorced and her mother spends her days making cascarones, a traditional Mexican good-luck craft made of eggshells and filled with confetti, which become the book’s central metaphor. Lina’s frustration grows as she discovers the vicissitudes of the first love and that happiness can be as fragile as an eggshell. An appealing coming-of-age novel set in a traditional Mexican-American town, in which Hispanic teachers, students and parents celebrate traditional American holidays such as Thanksgiving alongside such traditional Mexican observances as el Día de los Muertos and a Quinceañera. Local idioms of Spanish proverbs—dichos—used as chapter headings enlighten both characters and readers. (glossary) (Fiction. 8-12)
Pub Date: June 1, 2009
ISBN: 978-0-316-02955-1
Page Count: 208
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
Set in a candy factory as tantalizingly fragrant as Willy Wonka’s, this half-mystery, half–jigsaw-puzzle novel is a mild-mannered cousin to The Westing Game and When You Reach Me. Four 12-year-olds enter a candy-making contest. Logan lives in the confection plant with his parents, who own it; he narrates first, then the arc rewinds for the other contestants’ viewpoints. Miles, who witnessed a drowning, adds a poignant fragility in his portion. Daisy narrates and readers see—shockingly—that she’s a professional spy. Philip’s no spy, but his section reveals unsavory intentions on multiple levels. There’s no murder here—nor even death, it turns out; instead, there’s forgiveness, correction of dishonor and an alignment of seemingly disparate events. This isn’t fantasy, though it calls for a heaping cup of (enjoyable) suspension of disbelief (unflaggingly supportive grown-ups; chocolate pizza for lunch; adult confirmation that chocolate could potentially turn into gum and back again). Sweets fans will love the gooey sensory details. Earnest and sweet, with enough salty twists not to taste saccharine. (Fiction. 8-12)
Pub Date: Oct. 5, 2010
ISBN: 978-0-316-00258-5
Page Count: 464
Publisher: Little, Brown
Review Posted Online: Aug. 17, 2010
Kirkus Reviews Issue: Sept. 1, 2010
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