An obvious—and bland—riff on the Magic Treehouse series.
An odd item found in a flea-market suitcase sends two children back to days of yore in this series opener aimed at fledgling chapter-book readers.
The suitcase, plainly a MacGuffin, contains a number of seemingly random objects and a remote-control thingy—and as soon as bookish Chase picks up what he thinks is a doorknob with a dragon’s head, he and his camera-toting little sister, Ava, find themselves in a medieval slops closet overhearing a conversation between two knights about a plot against King Arthur. The “doorknob,” it turns out, is actually the hilt of Excalibur, and only finding some way to magically repair the sword can save the king from an assassin’s attack. Writing in present tense, Mass moves the plot along smartly to a climax featuring some brisk, if bloodless, swordplay (her Arthur is more into disarming his opponents than carving them up), then has Ava push a button on the remote to send the young siblings back home. The “time jumpers” billing is deceptive as, though Chase frets about changing the future, neither the narrative nor Vidal’s frequent grayscale illustrations make much effort to place the episode in a true historical setting. The author tucks in a fart joke early on but never follows it up and, in a clumsy effort to inject a bit of suspense, trots in a mysterious, surly villain with differently colored eyes who is after the suitcase. Characters are default white.
An obvious—and bland—riff on the Magic Treehouse series. (review questions) (Fantasy. 6-9)Pub Date: Aug. 28, 2018
ISBN: 978-1-338-21737-7
Page Count: 96
Publisher: Branches/Scholastic
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
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