Next book

THE ART OF SPELLING

THE MADNESS AND THE METHOD

A boon to all language lovers, as well as those specifically interested in the history of English writing and...

Parade magazine columnist vos Savant takes the reader on an entertaining and illuminating journey into the confused world of English orthography.

Who hasn't complained about the pitfalls of English spelling? The problem, vos Savant suggests, began in the sixth century, when the Anglo-Saxons were converted to Christianity and switched from the runic to the Roman writing system, whose Latin alphabet was inadequate for spoken English. The influx of immigrants during the Middle Ages, periods of French domination, and multiplicity of dialects just made the problem worse, and the stabilization of spelling between 1400 and 1600 did not record dramatic phonetic changes. Though calls for a spelling reform have periodically sounded ever since, lexicographers presume that no imposed standard would capture the dynamics of the language, which is in constant flux. So, brace yourselves for more discrepancies between the spoken and written word. Vos Savant will at least make insecure spellers happy, as she states that there is no direct correlation between spelling performance and general intelligence. However, a reader survey yielding 42,000 responses indicates that spelling ability is linked to some personality traits. For instance, detail-oriented, organized people are likely to be top spellers, and deficiency in pronunciation skills leads to more mistakes in writing. Vos Savant provides several easy tests to enable readers to determine their most typical spelling errors, along with helpful hints for improvement. The book also contains a set of rules and a list of commonly misspelled words. But the author is no fan of computer spellchecking, one of the many forms of modern technology she believes have a potentially negative effect of on spelling.

A boon to all language lovers, as well as those specifically interested in the history of English writing and psycholinguistics—and perhaps a therapeutic and educational read for poor spellers as well.

Pub Date: Aug. 1, 2000

ISBN: 0-393-04903-5

Page Count: 224

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview