A striking adventure story that could hold a galaxy in its scope, this is an expedition that delves as deep into the human...
In Lostetter's ambitious debut, the year is 2088, and humankind is finally ready to explore deep space, preparing to send convoys of clones on eons-long missions to investigate the outskirts of the galaxy.
Astrophysicist Reggie Straifer is convinced that something funny is going on with a distant star; there seems to be something surrounding it and obstructing its light. When Straifer convinces the organization building interstellar convoys to send one of its 12 missions to the mysterious LQ Pyxidis, he and hundreds of other brilliant experts are chosen to have their genes replicated into generations of clones who will staff the ships. The clones of idealistic dreamer Straifer, emotional and empathetic computer programmer Jamal Kaeden, kindly resource specialist Diego Santibar, insightful engineer Nakamura Akane, and the other humans with genes deemed optimal for deep space travel live out their lives working jobs assigned to them based on what their DNA says their talents are. They form new bonds and relationships with each other with every passing generation, even raising the next clones instead of muddying up DNA lines with natural reproduction; two versions of the same clone are alive onboard at the same time, the younger training to take over for the older. Every aspect of life in space, including sustainable materials, cultural development, personality quirks, and life and death among the crew members has been painstakingly accounted for to ensure mission success, all with an omnipresent AI assistant to keep the gears running. But algorithms can only predict so much, and the farther the convoy gets from Earth, the higher the stakes; after all, time is passing exponentially faster for the planet than for the ships, and the Earth the first clones knew is changing. So far removed from their home planet, are the clones doomed to repeat the flaws written in their DNA, or will they prove that people really can change, even if it takes a few lifetimes to get there? This spectacular epic examines everything from the nature of civilizations and societies to the tension between nature and nurture. Lostetter expertly balances the thrill of discovery with the interpersonal consequences of an isolated community. The tools of speculative fiction are deployed with heart-rending attention to emotional reality in this enthralling odyssey.
A striking adventure story that could hold a galaxy in its scope, this is an expedition that delves as deep into the human thirst for purpose as it does into the wonders of the universe.Pub Date: Aug. 17, 2017
ISBN: 978-0-06-249784-0
Page Count: 432
Publisher: Harper Voyager
Review Posted Online: June 19, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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