by Marine Rivoal ; illustrated by Marine Rivoal ; translated by Claudia Zoe Bedrick ‧ RELEASE DATE: Sept. 3, 2014
A spot of exquisite rest in an overstimulated world.
Evocative details make this simple story a quiet delight.
Two peas “pop out” of their pods to “get some air” and end up having a little adventure in the garden. Fleeing from would-be predators, they find a safe place under the ground to hide. Of course, being peas, they end up sprouting into pea plants that create new peas, one of which sets out at the end of the story on its own adventure, thereby continuing the circle of nature. Rivoal’s soft black-and-white etchings (the only color is the green of the peas) render a dreamlike, stylized depiction of vegetation that harkens back to the jungle paintings of fellow French artist Henri Rousseau. This book can only be fully appreciated by lingering on each spread, and the minimal text encourages such close looking. Flora and fauna are detailed with loving care and humor—a carrot with glasses, an expressive turnip and a cat hidden until the mischievous peas point it out are all waiting to be discovered by readers. Depictions of treasures lost (a ring, a key and a toy truck, among others) in the soil enhance the story’s theme of the mystery and magic of the world and the wonder of seeing it through new eyes.
A spot of exquisite rest in an overstimulated world. (Picture book. 2-5)Pub Date: Sept. 3, 2014
ISBN: 978-1-59270-155-1
Page Count: 48
Publisher: Enchanted Lion Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
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by Jan Gerardi ; illustrated by Jan Gerardi ‧ RELEASE DATE: Jan. 22, 2013
A well-meant miss.
A little boy takes an active role in recycling and reusing in this lift-the-flap tale.
The boy, along with a couple of young friends, demonstrates cleaning and sorting recyclables, donating unwanted clothes and toys, and reusing other materials for various projects. While this is a noble effort, the rhyming text, which appears on the outside of and under each flap, does not scan well: “Clink, clink, clink. Into each bin– / BOTTLES, / PAPER, / PLASTIC, / TIN.” Some of the concepts above and below each flap have a clear relationship to one another: A large cardboard box is empty above the flap and reused as a toy boat below the flap. Other concepts do not connect quite as well: The plastic (above the flap) and “tin” cans (under the flap) look to be going into the same bin, but the next page shows them carefully sorted into their own separate bins. The cover may also confuse little ones, and a few grown-ups too, since it mostly shows materials to be reused (toys and clothes to be donated), not recycled. The flat, friendly and soft-hued cartoons look to be a mix of digital art over collaged backgrounds of reused materials. Other titles in the Teenie Greenies series, which are printed on recycled paper with soy ink, tackle gardening, composting and transportation alternatives with greater clarity.
A well-meant miss. (Board book. 2-3)Pub Date: Jan. 22, 2013
ISBN: 978-0-375-86172-7
Page Count: 16
Publisher: Random House
Review Posted Online: April 9, 2013
Kirkus Reviews Issue: July 1, 2013
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More by David Zeltser
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by David Zeltser ; illustrated by Jan Gerardi
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by Jan Gerardi & illustrated by Jan Gerardi
by Kingfisher ‧ RELEASE DATE: May 21, 2013
While the information is solid and simply presented, and the photos are eye-catching, the layout gets in the way of clarity....
This introduction to zoology features a cover of layered, bubble-shaped pages of various sizes, each with an image of a zoo animal peeking through.
Once a page is turned, bright stock photos of animals with similar characteristics or from the same genus are grouped together across the spread, united by a solid background color. A heading introduces them (such as “Gone fishing” for seafood-eating birds and mammals), and one or two simple facts are shared. The creatures themselves provide additional and more specific information via speech bubbles. One section of each spread still retains the image that is visible from the cover and hints at what is coming next on the verso. Unfortunately, this Seek and Peek gimmick of shaped pages creates a visually confusing layout. In the “Burly bears” section, for example, all of the creatures on the page are bears (brown bear, polar bear and panda), but a maned lion and his cub do appear in their own section of the page against a different background. In the Rainforest, another in the series, featuring a variety of rain forest dwellers from around the world, also suffers from layout issues. The final page explains that some animals live high in the trees while others live on the rain forest floor, but the critters’ haphazard placement doesn’t support the point. Dinosaurs, yet another Seek and Peek book, uses photorealistic, computer-generated images of dinosaurs from various eras. Prehistoric creatures are grouped in such categories as “Scary hunters,” “Speedy” and more. The Seek and Peek format serves this topic most poorly, since some of the page sizes will confuse readers as to the size and scale of the subjects (the largest dinosaurs, brachiosaurus and diplodocus, are on the medium-sized pages at the middle of the book, which dwarf these creatures’ stature).
While the information is solid and simply presented, and the photos are eye-catching, the layout gets in the way of clarity. Stick with Kingfisher’s Baby Animals series for zoology in board-book form. (Board book. 3-4)Pub Date: May 21, 2013
ISBN: 978-0-7534-6941-5
Page Count: 8
Publisher: Kingfisher
Review Posted Online: May 14, 2013
Kirkus Reviews Issue: July 1, 2013
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