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BLAST FROM THE NORTH

From the Lug series , Vol. 2

Stone-cold predictable but with enough silliness to keep sliding along.

Art-loving cave lad Lug again saves his clan (and several others too) from the twin menaces of climate change and bad guys.

As if the arrival of snow and saber-toothed tigers in series opener Dawn of the Ice Age (2014) weren’t upsetting enough, here comes a mountain of ice moving with suspicious speed and precision toward the homes of the Macrauchenia Rider and Boar Rider clans. Riding out atop friendly mammoth Woolly to investigate, Lug and pals find both a glacier riddled with tunnels and Blast, a weirdly white-skinned frozen boy who, when thawed out, offers the glacier as a mobile shelter for the threatened locals. But the sight of exiled thug Bonehead working with Blast hints that all is not as it seems—and indeed, the whole setup turns out to be an ongoing scheme to rob prehistoric communities of their livestock. Can Lug stop Blast and his cronies (and the glacier), free the captive villagers imprisoned at the mountain’s bottom, and maybe even rescue the cub that Blast has kidnapped to keep the resident polar bears in line? Natch! By the end all’s made right, he’s found a new friend in equally artistic Boaga (described as “dark-skinned” with “frizzy black hair and almond-shaped eyes”), and even lost at least some of his pathological fear of animals. Gerardi dresses modern-looking kids in crude furs for the cartoon illustrations.

Stone-cold predictable but with enough silliness to keep sliding along. (Fantasy. 9-11)

Pub Date: Sept. 1, 2016

ISBN: 978-1-5124-0641-2

Page Count: 160

Publisher: Carolrhoda

Review Posted Online: May 13, 2016

Kirkus Reviews Issue: June 1, 2016

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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TUCK EVERLASTING

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the...

At a time when death has become an acceptable, even voguish subject in children's fiction, Natalie Babbitt comes through with a stylistic gem about living forever. 

Protected Winnie, the ten-year-old heroine, is not immortal, but when she comes upon young Jesse Tuck drinking from a secret spring in her parents' woods, she finds herself involved with a family who, having innocently drunk the same water some 87 years earlier, haven't aged a moment since. Though the mood is delicate, there is no lack of action, with the Tucks (previously suspected of witchcraft) now pursued for kidnapping Winnie; Mae Tuck, the middle aged mother, striking and killing a stranger who is onto their secret and would sell the water; and Winnie taking Mae's place in prison so that the Tucks can get away before she is hanged from the neck until....? Though Babbitt makes the family a sad one, most of their reasons for discontent are circumstantial and there isn't a great deal of wisdom to be gleaned from their fate or Winnie's decision not to share it. 

However the compelling fitness of theme and event and the apt but unexpected imagery (the opening sentences compare the first week in August when this takes place to "the highest seat of a Ferris wheel when it pauses in its turning") help to justify the extravagant early assertion that had the secret about to be revealed been known at the time of the action, the very earth "would have trembled on its axis like a beetle on a pin." (Fantasy. 9-11)

Pub Date: Nov. 1, 1975

ISBN: 0312369816

Page Count: 164

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2012

Kirkus Reviews Issue: Nov. 1, 1975

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