An entertaining and sometimes pointed look at years in quarantine.
A collection of web comics with a feline accent about life during the Covid-19 era.
Denver author/illustrator Acevedo (Steampunk Banditos, 2018, etc.) finds humor in the pandemic in 300 single-panel cartoons that show varied creatures—cats, mice, aliens, and fictional characters, such as Big Bird and the Cat in the Hat—reacting to its challenges. Introduced by the award-winning journalist and NPR contributor Peter Heller, the book begins with one of the best of its six sections: “Broken Mirror” finds its nonhuman subjects reacting to drone deliveries, Zoom meetings, social distancing, and out-of-control quarantine hair, and more. In a “Community Stress Test,” Acevedo adeptly sends up multitasking by depicting a mother cat feeding her kittens while texting on her phone. Many other entries have a similarly light or whimsical tone. In one, a cat peers out from a toilet-paper tower. Another tweaks Covid-related weight gains with an image of a cat trying to button its pants, which are now much too small. Other cartoons are more macabre, one features a cat getting its temperature taken at the Pearly Gates with a Plexiglas shield present. As with most such collections, this one seems designed to be kept on a coffee table and picked up when you need a smile, and some entries work better than others. Inspired in part by the work of B. Kliban and Gary Larson, the black-and-white, pen-and-pencil illustrations are generally clear and to the point but occasionally hard to interpret: What are we to make of a drawing of an Aztec god buying food from a taco truck? But Acevedo, who once drew award-winning editorial cartoons for a Texas newspaper, doesn’t shy away from political disagreements and civil unrest related to the pandemic. Nor does he ignore the daily struggle of sheltering in place in these cartoons, which first appeared in his daily social media posts. In short, this book has something for everyone—or at least everyone who believes that, even in a pandemic, cats can be funny.
An entertaining and sometimes pointed look at years in quarantine.Pub Date: Oct. 25, 2022
ISBN: 978-1-73659-647-0
Page Count: 318
Publisher: Hex Publishers
Review Posted Online: Sept. 12, 2022
Kirkus Reviews Issue: Nov. 1, 2022
Review Program: Kirkus Indie
PERSPECTIVES
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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