A disjointed jumble—the parts (some of them, anyway) better than the whole.



This Spanish import via Germany offers glimpses of the southernmost continent framed as a quick tribute/travelogue.

Cuesta Hernando begins the book by describing a sea voyage to McMurdo Station in a faux journal format but is inconsistent about maintaining it. After galleries of Antarctic whales, seals, and penguins, he moves on to various Antarctica-related topics. These include daily life at a research station, climatological facts about the continent, a bulleted list of human-caused “Lurking Dangers” to the ecosystem, a discussion of volcanoes, a Eurocentric “Who Discovered Antarctica” entry, a page of arbitrary facts that does double duty as a glossary, and a closing note about climate change…at both poles. The facts have been strung together with little apparent sense of flow, a picture caption that mentions the Antarctic Treaty occurring several pages before the topical spread that explains it. Along with icescapes and wildlife, Martín’s reasonably accurate paintings offer views of McMurdo scientists (mostly but not entirely White) at work inside and out, a volcano, the Antarctic seabed, and the southern aurora. Armchair naturalists and explorers will be better served by the closer encounters described in, for instance, Sally M. Walker’s Frozen Secrets (2010) or Sophie Webb’s evocative My Season With Penguins (2000). (This book was reviewed digitally with 14.3-by-23-inch double-page spreads viewed at 50% of actual size.)

A disjointed jumble—the parts (some of them, anyway) better than the whole. (map) (Nonfiction. 7-9)

Pub Date: April 20, 2021

ISBN: 978-3-7913-7456-7

Page Count: 48

Publisher: Prestel

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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Together with its companions, too rushed to be first introductions but suitable as second ones.


From the Graphic Science Biographies series

A highlights reel of the great scientist’s life and achievements, from clandestine early schooling to the founding of Warsaw’s Radium Institute.

In big sequential panels Bayarri dashes through Curie’s career, barely pausing at significant moments (“Mother! A letter just arrived. It’s from Sweden,” announces young Irène. “Oh, really?…They’re awarding me another Nobel!”) in a seeming rush to cover her youth, family life, discoveries, World War I work, and later achievements (with only a closing timeline noting her death, of “aplastic anemia”). Button-eyed but recognizable figures in the panels pour out lecture-ish dialogue. This is well stocked with names and scientific terms but offered with little or no context—characteristics shared by co-published profiles on Albert Einstein and the Theory of Relativity (“You and your thought experiments, Albert!” “We love it! The other day, Schrödinger thought up one about a cat”), Charles Darwin and the Theory of Evolution, and Isaac Newton and the Laws of Motion. Dark-skinned Tierra del Fuegans make appearances in Darwin, prompting the young naturalist to express his strong anti-slavery views; otherwise the cast is white throughout the series. Engagingly informal as the art and general tone of the narratives are, the books will likely find younger readers struggling to keep up, but kids already exposed to the names and at least some of the concepts will find these imports, translated from the Basque, helpful if, at times, dry overviews.

Together with its companions, too rushed to be first introductions but suitable as second ones. (glossary, index, resource list) (Graphic biography. 7-9)

Pub Date: Jan. 1, 2020

ISBN: 978-1-5415-7821-0

Page Count: 40

Publisher: Graphic Universe

Review Posted Online: Oct. 9, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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Just the ticket for mechanically curious kids.



A detachable acetate eyepiece lets budding engineers peek into buildings, the inner workings of vehicles from bicycles to submarines, and even a human torso.

Peering through the colored spyglass embedded in the front cover at Lozano’s cartoon scenes makes large areas of red stippling or crosshatching disappear, revealing electrical wiring and other infrastructure in or under buildings, robots at work on an assembly line, the insides of a jet and a container ship, and other hidden areas or facilities. Though younger viewers will get general pictures of how, for instance, internal-combustion (but not electric) cars are propelled, what MRIs and ultrasound scans reveal, and the main steps in printing and binding books, overall the visual detail is radically simplified in Lozano’s assemblages of cartoon images. Likewise, the sheaves of descriptive captions are light on specifics—noting that airplane wings create lift but neglecting to explain just how, say, or why maglev train magnets are supercooled. Still, Wilsher introduces simple machines at the outset (five of the six, anyway), and the ensuing selection of complex ones is current enough to include a spy drone and Space X’s Falcon 9 rocket. Along with displaying a range of skin tones, the human cast of machine users visible in most scenes includes an astronomer wearing a hijab. All in all, it’s a revealing, if sketchy, roll toward David Macaulay’s The Way Things Work Now (2016).

Just the ticket for mechanically curious kids. (Informational novelty. 7-9)

Pub Date: Feb. 2, 2021

ISBN: 978-1-912920-20-4

Page Count: 48

Publisher: What on Earth Books

Review Posted Online: Nov. 27, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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