Wildly imaginative, surreal, beautiful…in a word, this Argentine import is fabulous.

SLEEPY STORIES

Young Nicolás has a voracious appetite for stories and no sympathy for a profoundly sleepy storyteller.

In a work told as a scripted dialogue, a storyteller identified only as “Me” spins the yarns to Nicolás, often yawning and nodding off midstory. But Nicolás is ever demanding, wanting those sleepy stories now. The six tales, told over three days, are all extremely bizarre. A man is too sleepy to make it home, so he curls up inside his umbrella until a heavy rain causes him to nearly drown. Another man stretches one part of his body at a time until his head reaches home and he pulls the rest of himself into bed. After more tales involving a skateboard and a long swim, monkeys and seals, robbers, and long bus rides, Nicolás asks for yet another, and it all comes to an abrupt, unexplained end. Bianki’s equally strange, deeply hued, full- and double-page illustrations alternate between depictions of the tales and scenes of the characters. Nicolás and “Me” seem to be a pair of birds with tuxedo tails, wearing shoes and socks on their long legs. They are seen at a table, atop a peacock with its egg alongside, in a tree, on a dog’s back, and in other odd positions, with “Me” holding a book, perhaps this very one. The tales’ actions are vividly depicted, with the addition of many odd bits and pieces floating through. Young readers and their perplexed grown-ups will want to read and reread again and again.

Wildly imaginative, surreal, beautiful…in a word, this Argentine import is fabulous. (Picture book. 5-9)

Pub Date: July 6, 2021

ISBN: 978-1-939810-84-7

Page Count: 32

Publisher: Elsewhere Editions

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

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A jam-packed opener sure to satisfy lovers of the princess genre.

SNOW PLACE LIKE HOME

From the Diary of an Ice Princess series

Ice princess Lina must navigate family and school in this early chapter read.

The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.

A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)

Pub Date: June 25, 2019

ISBN: 978-1-338-35393-8

Page Count: 128

Publisher: Scholastic

Review Posted Online: March 27, 2019

Kirkus Reviews Issue: April 15, 2019

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A close encounter of the best kind.

FIELD TRIP TO THE MOON

Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.

While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.

A close encounter of the best kind. (Picture book. 6-8)

Pub Date: May 14, 2019

ISBN: 978-0-8234-4253-9

Page Count: 40

Publisher: Margaret Ferguson/Holiday House

Review Posted Online: Feb. 6, 2019

Kirkus Reviews Issue: March 1, 2019

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