An expert life of a giant of science.
A fresh biography of Galileo (1564-1642).
Books on Galileo are not scarce, but the latest from astrophysicist Livio features the author’s unique insights as well as his concern about the current fashion for giving ideology priority over truth. Livio rocks no boats by describing Galileo as history’s first scientist. The Greeks believed that understanding the universe required thinking; they despised research because human senses are imperfect. In contrast, Galileo wondered about natural phenomenon, observed carefully, performed experiments (in a time before thermometers, stopwatches, and even minute hands), meticulously recorded the results, and—most importantly—publicized them widely in lectures, letters, and books. For 40 years, he was the most famous scientist in Europe, a position he maintained even after his disastrous conflict with the church, after which he spent his final decade under house arrest. Most readers know that the Inquisition condemned Galileo for claiming that the sun did not revolve around the Earth. That the biblical passage describing Joshua stopping the sun (emphasized by prosecutors) proved him wrong seems wacky, but Livio points to several current beliefs that are no improvement. The author’s criticism of science denial and a long section marshaling evidence in favor of climate change and evolution will neither enlighten science-minded readers nor persuade those who disagree. Livio is not alone in believing that people with a deeply held false belief will change their minds if presented with facts. However, research studies invariably show that they won’t. The author truly excels in his explanations of Galileo’s findings as well as his descriptions of the culture of Renaissance Italy. Popular histories extol the scientist’s use of the just invented telescope to galvanize Europe with astronomical discoveries—the moons of Jupiter, phases of Venus, and the mountains on Earth’s moon—but Livio gives equal time to his revelations of the laws of motion, which marked the birth of modern physics.
An expert life of a giant of science.Pub Date: May 5, 2020
ISBN: 978-1-5011-9473-3
Page Count: 304
Publisher: Simon & Schuster
Review Posted Online: Jan. 15, 2020
Kirkus Reviews Issue: Feb. 15, 2020
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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