Striking art adds levity to the book’s anti-bullying message
Teasing brings out a bird’s inner artist.
Bob is a black, crowlike bird with a red beak and very long, skinny legs. He becomes self-conscious about his legs when he goes out for a walk and is teased by onlookers. “Eeeek! Look at those skinny legs!” comments Cat. “Oooh! Look at that funny stick walk,” says Owl. “Oh! How puny your legs are!” remark a crowd of other birds, identical to Bob except with fatter legs. Bob goes to great lengths to increase the diameter of his legs. He works out at the gym, eats a pile of sausages at the restaurant, and attempts to find clothing to camouflage his legs. Inspiration comes at the art museum, where he sees many different textures and patterns in the paintings on the walls. In a Matisse-style eureka moment, Bob realizes that by painting his beak in a multitude of art-inspired designs, he can gain public admiration for his beautiful beak, and his legs will no longer be the focus of attention. Each day he paints his beak in the style of a different artist or just with abstract bright patterns. He garners admiring comments from his previous critics, and now no one notices his legs. British artist Deuchars' expressive hand-lettering and bold, splashy ink-and-watercolor art stand out against minimalist backgrounds; such quirky details as a cat created with thumbprints charm. Unfortunately, aside from Matisse and Pollock, the inspirational sources for Bob’s designs are not named.
Striking art adds levity to the book’s anti-bullying message . (Picture book. 3-6)Pub Date: April 26, 2016
ISBN: 978-1-78067-767-5
Page Count: 32
Publisher: Laurence King
Review Posted Online: May 3, 2016
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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