A second in the Glenraven series by Bradley (Lady of Avalon, 1997, etc.) and paperback author Lisle. Kate, a young woman in a small North Carolina town, comes into possession of a magical book that links her to the alternate world of Glenraven. Four denizens of that world, only one really human in appearance, arrive in her front yard. Kate kills the monster pursuing them, then learns that both Earth and Glenraven are in danger and must unite against the enemy. The Glenraven exiles help Kate defeat local thugs who attack because of her Wiccan religion; at the same time, she and Rhiana, the most human of the visitors, explore her latent magical talents. Meanwhile, in Florida, Callion, an exiled wizard from Glenraven, plots his takeover of Earth. Kate and the exiles travel to confront him, with the more alien-looking Glenraveners pretending to be costumed science fiction fans. (This, plus comparisons of our world and the quasi-medieval society of Glenraven, provides a fair amount of humor.) Callion, we learn, has an evil entity in captivity—one that feeds on human flesh. We also learn that one of the exiles is a traitor, seeking to make common cause with Callion to return to Glenraven and seize power. With each of the aliens having a separate agenda, and with Kate becoming more and more alienated from her own society, the tension builds until the confrontation with the wizard. There are a few satisfactory twists of plot before Kate manages to defeat the evil wizard—a triumph that is as much a victory over herself as over the external enemy. A smoothly plotted fantasy, with a strong woman protagonist, that should appeal to fans of both authors.
Pub Date: April 1, 1998
ISBN: 0-671-87870-0
Page Count: 288
Publisher: Baen
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and...
The debut novel from Australian actor Arnold is a fusion of paranormal fantasy and mystery set in a world where magic has been effectively destroyed by humans, forcing the supernatural population to live a radically diminished existence.
Fetch Phillips is a “Man for Hire,” which is another way of saying the down-on-his-luck, hard-drinking former Soldier–turned-detective will do just about anything to pay the bills. When a principal from a cross-species school enlists him to find a missing professor—a 300-year-old Vampire named Edmund Rye—Phillips quickly agrees. Without magic, the Vampires—and all other supernatural beings—are slowly dying. So how difficult could it be to find a withered bloodsucker who is so weak he can hardly move around? After visiting Rye’s last residence—a secluded loft space in the local library filled with the Vampire’s research and writings—Phillips discovers that one of Rye’s students is missing as well: a young Siren named January. His investigation becomes complicated when more Vampires turn up dead and he is almost killed himself. While the mystery element of the storyline is a bit thin, the focus on meticulous worldbuilding and highly detailed backstory as well as the cast of fully developed and memorable characters (Simms, the reptilian cop; Peteris, the disfigured half-werewolf; etc.) are unarguable strengths. But the real power here is in Arnold’s use of imagery throughout. His unconventional descriptive style brings a richness and depth to the narrative. Pete’s smile is “like a handbag with a broken zipper,” and the sound of Phillips’ falling from a building is “like someone stepping on an egg full of snails.”
The first installment of an effortlessly readable series that could be the illegitimate love child of Terry Pratchett and Dashiell Hammett.Pub Date: Feb. 25, 2020
ISBN: 978-0-316-45582-4
Page Count: 368
Publisher: Orbit/Little, Brown
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
PERSPECTIVES
A love letter to imagination, adventure, the written word, and the power of many kinds of love.
An independent young girl finds a blue door in a field and glimpses another world, nudging her onto a path of discovery, destiny, empowerment, and love.
Set at the turn of the 20th century, Harrow's debut novel centers on January Scaller, who grows up under the watchful eye of the wealthy Cornelius Locke, who employs her father, Julian, to travel the globe in search of odd objects and valuable treasures to pad his collection, housed in a sprawling Vermont mansion. January appears to have a charmed childhood but is stifled by the high-society old boy’s club of Mr. Locke and his friends, who treat her as a curiosity—a mixed-race girl with a precocious streak, forced into elaborate outfits and docile behavior for the annual society gatherings. When she's 17, her father seemingly disappears, and January finds a book that will change her life forever. With her motley crew of allies—Samuel, the grocer’s son; Jane, the Kenyan woman sent by Julian to be January’s companion; and Bad, her faithful dog—January embarks on an adventure that will lead her to discover secrets about Mr. Locke, the world and its hidden doorways, and her own family. Harrow employs the image of the door (“Sometimes I feel there are doors lurking in the creases of every sentence, with periods for knobs and verbs for hinges”) as well as the metaphor (a “geometry of absence”) to great effect. Similes and vivid imagery adorn nearly every page like glittering garlands. While some stereotypes are present, such as the depiction of East African women as pantherlike, the book has a diverse cast of characters and a strong woman lead. This portal fantasy doesn’t shy away from racism, classism, and sexism, which helps it succeed as an interesting story.
A love letter to imagination, adventure, the written word, and the power of many kinds of love.Pub Date: Sept. 10, 2019
ISBN: 978-0-316-42199-7
Page Count: 384
Publisher: Redhook/Orbit
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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