Though gentler than its title suggests, an intelligent and entertaining read.
Unexpectedly charming personal essays about disillusionment, diabetes, and despair.
Like her first book, Slaughterhouse 90210, Kreizman’s essay collection is anchored in her love of popular culture and takes its title from a Great Moment in Television. “In the final season of Mad Men, after Peggy and Joan have spent years clawing their way to the middle of their fictional advertising agency,” they have a meeting with the new owners of the firm during which the continued reign of the grossest kind of misogyny is confirmed. Afterward, Peggy asks Joan if she wants to get lunch, and Joan replies, “I want to burn this place down.” To Kreizman, this is a symbol of all the times she herself has had to learn that “working hard and playing by the rules can be futile and demeaning if the game itself has always been rigged.” While she opines convincingly about various societal issues—climate change, health care, corporate capitalism—the personal remains at the heart of her work, and some of the best essays are about her experience with diabetes, shedding light on the wider experience of chronic illness. It’s the writing that makes it sing: “Puberty beat the shit out of me in unique and astounding ways. My hormones, surging like a 2-liter bottle of Diet Coke when you open it immediately after you’ve dropped it on the floor, caused my blood sugar to rise and fall and rise even higher with seemingly no correspondence to the insulin I was taking or the food I was eating.” Another standout is titled “Copaganda and Me,” in which she wrestles with the fact that after their shared childhood watching police shows on television, she grew up alienated while “[m]y brothers grew up and became cops, both of them. Twin Jewish cops.” Along with righteous anger, there’s plenty of sweetness, with evocative passages about her New Jersey childhood and paeans to her very happy union with a nice man named Josh. “I’m perpetually astonished to find that marriage is one of the only institutions that has not disappointed me.”
Though gentler than its title suggests, an intelligent and entertaining read.Pub Date: July 1, 2025
ISBN: 9780063305823
Page Count: 176
Publisher: Ecco/HarperCollins
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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