Though gentler than its title suggests, an intelligent and entertaining read.
Unexpectedly charming personal essays about disillusionment, diabetes, and despair.
Like her first book, Slaughterhouse 90210, Kreizman’s essay collection is anchored in her love of popular culture and takes its title from a Great Moment in Television. “In the final season of Mad Men, after Peggy and Joan have spent years clawing their way to the middle of their fictional advertising agency,” they have a meeting with the new owners of the firm during which the continued reign of the grossest kind of misogyny is confirmed. Afterward, Peggy asks Joan if she wants to get lunch, and Joan replies, “I want to burn this place down.” To Kreizman, this is a symbol of all the times she herself has had to learn that “working hard and playing by the rules can be futile and demeaning if the game itself has always been rigged.” While she opines convincingly about various societal issues—climate change, health care, corporate capitalism—the personal remains at the heart of her work, and some of the best essays are about her experience with diabetes, shedding light on the wider experience of chronic illness. It’s the writing that makes it sing: “Puberty beat the shit out of me in unique and astounding ways. My hormones, surging like a 2-liter bottle of Diet Coke when you open it immediately after you’ve dropped it on the floor, caused my blood sugar to rise and fall and rise even higher with seemingly no correspondence to the insulin I was taking or the food I was eating.” Another standout is titled “Copaganda and Me,” in which she wrestles with the fact that after their shared childhood watching police shows on television, she grew up alienated while “[m]y brothers grew up and became cops, both of them. Twin Jewish cops.” Along with righteous anger, there’s plenty of sweetness, with evocative passages about her New Jersey childhood and paeans to her very happy union with a nice man named Josh. “I’m perpetually astonished to find that marriage is one of the only institutions that has not disappointed me.”
Though gentler than its title suggests, an intelligent and entertaining read.Pub Date: July 1, 2025
ISBN: 9780063305823
Page Count: 176
Publisher: Ecco/HarperCollins
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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