Inspirational proof that there’s nothing like a death scare to put life into perspective.
A health crisis provides an accomplished cartoonist with the richest material of her career.
Though there’s never an ideal time for someone to learn she has cancer, Marchetto (Just Who the Hell Is She, Anyway?, not reviewed) found it particularly ironic that the worst news she’d ever received came during the best stretch of adult life she’d ever enjoyed. She’d started selling cartoons to the New Yorker and was a fixture in other New York magazines as well. She had fabulous friends, fabulous shoes and an overstuffed apartment she could afford. Best of all, in her early 40s and never married, she had fallen madly in love with a celebrity restaurateur who somehow preferred her to all the leggy models who patronized Da Silvano’s and fawned all over him. Then she discovered the lump, learned she had breast cancer and realized that she had let her health insurance lapse. From such potentially depressing material, the author has drawn a triumphant, biting, self-deprecating, journalistically detailed and frequently hilarious account of true love conquering all. In flashbacks to the years before her diagnosis, Marchetto details the conspicuous consumption and competitive cattiness of life in New York magazine circles, before 9/11 put such frivolities on hold. A magazine assignment led her to Silvano’s restaurant, and her romance with the owner changed her life. But would Silvano go through with the marriage once he learned of the cancer? Would Marchetto be able to receive the best medical treatment without insurance? Would the side effects of all those biopsies and treatments allow her to continue the drawing that constituted her livelihood? Somehow, the graphic artist has taken the tone of Sex and the City into the cancer ward, with a happy ending that makes her memoir seem all the more life-affirming.
Inspirational proof that there’s nothing like a death scare to put life into perspective.Pub Date: Oct. 1, 2006
ISBN: 0-307-26357-6
Page Count: 224
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
BOOK REVIEW
A horde-pleaser, well-written and full of surprises.
“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”
No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.
A horde-pleaser, well-written and full of surprises.Pub Date: March 2, 2004
ISBN: 0-609-61062-7
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2003
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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