PORTRAIT OF MY MOTHER WHO POSED NUDE IN WARTIME

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PORTRAIT OF MY MOTHER WHO POSED NUDE IN WARTIME

Name: PORTRAIT OF MY MOTHER WHO POSED NUDE IN WARTIME
Author: Marjorie Sandor
ISBN: 1-889330-83-3

STORIES

by Marjorie Sandor ‧ RELEASE DATE: May 1, 2003

A step forward for a strong talent.

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A powerful second collection (after A Night of Music, 1989) of ten connected stories about family and history in the tradition of Alice Munro’s The Beggar Maid.

Sandor’s distant first-person permits an examination of the repetition of history in a single family. “They named her Clara,” begins the first story, “Legend,” which follows Clara’s mother through the aftermath of giving birth and serves as launching pad for a wandering treatise on motherhood, the past, and “the future, that perverse and squirming bundle whose gaze tells you nothing you can count on, but watches your move with unblinking eyes.” “Capacity” catches up with Clara, now grown, on her first failed attempt to leave home for situations she isn’t prepared for; and “Gravity” follows a much older Clara, now married to Gabe, who, despite Clara’s vertigo, arranges for her to go up in an airplane to spread his ashes when he dies. The title piece switches to Gabe’s family for another daughter’s recollections of her mysterious mother. It coalesces around the time when her mother is pregnant with the narrator, but not so far along that she can’t commit the vague sin of posing for a painting that will never be seen. “It was a year of maiden-lady suicides,” begins “Elegy for Miss Beagle,” a piano teacher. Music is a theme throughout the Sandor’s writing. She is sentimental and nostalgic in the best of ways: you sense an unblinking affection for characters, a positive regard even in the face of error and sin. Their sadness is real, their regret tangible: “Closing my window, I wished myself in her place, going north on that bus, leaning my cheek against the cool window while other passengers, men and women with unknowable lives, slept or told each other stories, making them better or more horrible than real life . . . . ”

A step forward for a strong talent.

Pub Date: May 1, 2003

ISBN: 1-889330-83-3

Page Count: 216

Publisher: Sarabande

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2003

Categories:

SHORT STORIES

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SIGHTSEEING

STORIES

by Rattawut Lapcharoensap ‧ RELEASE DATE: Jan. 1, 2005

A newcomer to watch: fresh, funny, and tough.

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Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.

In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.

A newcomer to watch: fresh, funny, and tough.

Pub Date: Jan. 1, 2005

ISBN: 0-8021-1788-0

Page Count: 224

Publisher: Grove

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2004

Categories:

LITERARY FICTION | SHORT STORIES

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A PERMANENT MEMBER OF THE FAMILY

by Russell Banks ‧ RELEASE DATE: Nov. 12, 2013

Old-fashioned short fiction: honest, probing and moving.

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One of America’s great novelists (Lost Memory of Skin, 2011, etc.) also writes excellent stories, as his sixth collection reminds readers.

Don’t expect atmospheric mood poems or avant-garde stylistic games in these dozen tales. Banks is a traditionalist, interested in narrative and character development; his simple, flexible prose doesn’t call attention to itself as it serves those aims. The intricate, not necessarily permanent bonds of family are a central concern. The bleak, stoic “Former Marine” depicts an aging father driven to extremes because he’s too proud to admit to his adult sons that he can no longer take care of himself. In the heartbreaking title story, the death of a beloved dog signals the final rupture in a family already rent by divorce. Fraught marriages in all their variety are unsparingly scrutinized in “Christmas Party,” Big Dog” and “The Outer Banks." But as the collection moves along, interactions with strangers begin to occupy center stage. The protagonist of “The Invisible Parrot” transcends the anxieties of his hard-pressed life through an impromptu act of generosity to a junkie. A man waiting in an airport bar is the uneasy recipient of confidences about “Searching for Veronica” from a woman whose truthfulness and motives he begins to suspect, until he flees since “the only safe response is to quarantine yourself.” Lurking menace that erupts into violence features in many Banks novels, and here, it provides jarring climaxes to two otherwise solid stories, “Blue” and “The Green Door.” Yet Banks quietly conveys compassion for even the darkest of his characters. Many of them (like their author) are older, at a point in life where options narrow and the future is uncomfortably close at hand—which is why widowed Isabel’s fearless shucking of her confining past is so exhilarating in “SnowBirds,” albeit counterbalanced by her friend Jane’s bleak acceptance of her own limited prospects.

Old-fashioned short fiction: honest, probing and moving.