An uneven but often enthralling collection of true-crime investigations.
Veteran narrative journalist Bowden resurrects a half-dozen works of true crime, ranging from merely creepy to palpably fascinating.
Best known for his visceral accounts of warfare in Mogadishu and the lives and deaths of Pablo Escobar and Osama bin Laden—not to mention his excellent Vietnam book, Hue 1968 (2017)—here the author recalls his foundations as a reporter, a trade that “hones an appetite for crime.” The opening story, published in the Philadelphia Inquirer in 1983 as “The Incident at Alpha Tau Omega,” is awkward. While Bowden’s writing is solid and sincere, his attempt to parse the moral implications of the gang rape of a female college student comes off as both overly disturbing and painfully sympathetic to the perpetrators. Similar themes arise in “why don’t u tell me wht ur into,” a 2009 Vanity Fair piece in which Bowden uses the case of a sex offender to debate the ethics of entrapment à la the TV show To Catch a Predator. The author’s reporting in “…A Million Years Ago” (Vanity Fair, 2012), about the investigation into a decades-old cold case, has attracted some controversy, but there’s no skepticism about his portrayal of the investigation itself, resolutely documented and as incisive and enthralling as any true-crime podcast or episode of NCIS. The collection picks up considerably with the introduction of private eye Ken Brennan, a no-nonsense, profane former Long Island cop. “I’m from New York,” Brennan tells one suspect. “I talk like that to everybody.” Readers are likely to have encountered some version of the title story (“from the start, it was a bad case”) in popular media. However, that piece and its companion stories, “The Body in Room 348” and “Who Killed Euhommie Bond?” are as gripping as any murder mystery and feature shades of Agatha Christie and Edgar Allan Poe.
An uneven but often enthralling collection of true-crime investigations.Pub Date: July 7, 2020
ISBN: 978-0-8021-2844-7
Page Count: 400
Publisher: Atlantic Monthly
Review Posted Online: April 4, 2020
Kirkus Reviews Issue: May 1, 2020
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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