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AN ACCIDENTAL AMERICAN ODYSSEY

An imaginative but ultimately disappointing set of tales.

Budman’s collection of short stories offers an occasionally surreal examination of immigration to America with an emphasis on Russian newcomers.

In his debut novel, My Life at First Try (2008), the author looked at life in the United States and Soviet Russia using flash-fiction narratives. His latest collection of 21 tales also observes the American dream through a varied cast of immigrant characters. The opening work, “A Perfect Rhyme Translated From Scratch,” is about a Chinese restaurant server living in a predominantly White hamlet in northern Pennsylvania. Her manager, a wannabe poet who’s separated from his wife, becomes infatuated with her despite the fact she pays him little attention. This is followed by “The Selfless Quarantine,” an eerie vision of a country brought to its knees by a deadly pandemic. In “American Zolushka,” a 20-something Russian woman is intent on applying to a mail-order bride agency, hoping to escape to a “clean and Technicolor” America. This Zolushka (or Cinderella) character reappears in “Five Minutes After Midnight,” now divorced, living in New York state, and involved with the Greek god Morpheus. Such bizarre couplings aren’t unusual in Budman’s writing; in “The Titan. An Office Romance,” for instance, a pre-Olympian god develops a crush on a girl working in the adjacent office cubicle, and in “Super Couple,” Soupmann—Superman’s third cousin, twice removed—falls for Saltwoman. Things get stranger still in the closing story, “Cinderella’s Sister or the Bridge to Nowhere,” in which an old man dies following dental bridgework and decides to phone his dentist from beyond the grave.

The author’s previous set of tales was sardonically amusing, and there’s a scattering of laugh-out-loud moments in this second book. For instance, at one point, a narrator wryly outlines Soupmann’s priorities as a superhero: “He fights for truth and justice, and sometimes for truth and the American way, and sometimes for justice and the American way, but not for all three at once. Otherwise, he’d be stretching too thin.” The author also produces some tremendously witty similes at times; regarding the elderly gentleman’s dentistry, the narrator remarks: “The old man’s mouth feels like the international space station: half of the teeth American and half Russian.” On other occasions, his writing is quite thought-provoking: “Everyone knows that reality is just a poor immigrant next to a dream of a newly minted native.” However, the tales include occasional moments of clipped, grammatically awkward phrasing: “Few minutes later, she was crying on his shoulder. He forgot when the last time a woman did that was.” Soviet-born Budman focuses mainly on the Russian immigrant experience, which he keenly observes. However, it’s disappointing that the stories here largely overlook immigrants of other nationalities. The nameless, underdeveloped Chinese server, for instance, merely becomes a blank canvas upon which her manager can project his skewed fantasies of exoticism: “He imagines her sitting in the lotus position…needles dotting her back.” The end product is, as a result, a somewhat culturally narrow study.

An imaginative but ultimately disappointing set of tales.

Pub Date: July 30, 2021

ISBN: 978-1-60-489289-5

Page Count: -

Publisher: Livingston Press

Review Posted Online: Aug. 20, 2021

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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  • New York Times Bestseller

Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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