Light, amusing fiction.
The title of this novel from Childress (One Mississippi, 2006, etc.) refers to a person rather than to a place—and what a memorable character she turns out to be.
Georgia is a good ol’ Alabama girl, actually a woman in her mid-30s when the novel opens. She lives with her mother, Little Mama, who’s showing increasing signs of dementia, and with her wastrel brother (called Brother), who hits a tavern after every AA meeting. Life is pretty good for Georgia, however, because she freely gives her generous sexual favors to a number of prominent citizens in Six Points, Ala., including the judge, the Baptist preacher, the sheriff, the doctor, the bank president and the editor of the local newspaper. (She takes Mondays off.) Of course, each of these upstanding citizens thinks he’s the only one being “serviced” by Georgia, and she takes great pains to keep them from knowing about each other. The affairs start to unravel a bit when Brenda Hendrix, the wife of the preacher, gets wind of her husband’s unfaithfulness. Georgia quickly gets the upper hand, however, when she pulls some strings to get the preacher transferred to another backwater town. Georgia also presides over the biggest ladies’ social event in Six Points, a genteel luncheon put on every September, but in 2001 this gustatory occasion is ruined by 9/11. Georgia can’t believe that such a terrorist act could ruin her luncheon because “it doesn’t have anything to do with us!” Other surprises are in store as well, for her 20-year-old son Nathan, whose father is black and one of Georgia’s first flings, literally shows up at her doorstep, and a new Baptist preacher moves to town, movie-star handsome and quite interested in Georgia, whose reputation has preceded her. But this preacher is not exactly who he appears to be.
Light, amusing fiction.Pub Date: Feb. 23, 2011
ISBN: 978-0-316-03304-6
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Dec. 2, 2010
Kirkus Reviews Issue: Dec. 1, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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