A valuable take on a canonical writer, highlighting how good work stands the test of time.
An enjoyable exploration of how Hemingway’s influence on American literature continues to be significant.
In A Moveable Feast, Hemingway gave a direct instruction to writers: “All you have to do is write one true sentence. Write the truest sentence that you know.” Find the essential truth of the story, and the rest will eventually follow—profound, yes, but surprisingly difficult to do. Cirino and Von Cannon, academics who share a special interest in Hemingway, have been pursuing this idea for years, especially via their One True Podcast. This collection brings together the best of the interviews and adds some other material. Each interviewee was asked to pick their favorite Hemingway sentence (although some pick a paragraph or several sentences) and explain what it means to them. Some examine a sparse, compact line. Others opt for one of Hemingway’s long, swirling sentences. This underlines the variety of Hemingway’s writing as well as his capacity to imply volumes in a few words. Several contributors discuss why Hemingway’s writing has endured, pointing to his focus on the evergreen themes of love, loss, and war. Others note the time and consideration that Hemingway put into his craft, with endless redrafting and rethinking, as well as his embrace of a wide range of the human experience. As he demonstrated, writing is not, in fact, particularly difficult; doing it well and making it look easy, however, is. This is one of the keys to Hemingway: polishing the text until the effort seems to disappear and the authenticity shines through. This is summed up by a line that several writers point to as their inspiration—the concluding line from The Sun Also Rises: “Isn’t it pretty to think so?” Yes, it is. Ken Burns and Lynn Novick co-wrote the foreword, and contributors include Valerie Hemingway, Elizabeth Strout, Sherman Alexie, Paula McLain, Craig Johnson, Joshua Ferris, Russell Banks, and Pam Houston.
A valuable take on a canonical writer, highlighting how good work stands the test of time.Pub Date: July 5, 2022
ISBN: 978-1-56792-713-9
Page Count: 240
Publisher: Godine
Review Posted Online: March 18, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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