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PILLOWS FOR YOUR PRISON CELL

A deftly told tale about breaking free from the yoke of voracious and unsustainable, media-driven consumerism.

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A fable of desire and of freeing oneself from its chains.

First-time author Bullard relates the tale of a young boy, Amir, in an unnamed land. Amir’s father dreams of lifting the family out of poverty and buying a farm in the country but dies in an accident, sinking the family into penury. One day at the local market, Amir and his younger brother, Mamluk, steal a chicken to feed the family. The authorities apprehend the brothers, and a judge sentences them to the Mill, a notorious labor camp from which no one returns. Prison guards separate the brothers. Subsisting on gruel, Amir spends his days in a bare cell physically powering a contraption running unseen machinery that grinds grain—a benefit to society and the route to his freedom, his captors tell him. Soon, the guards bring a pillow to Amir, calling it a gift. They follow with more: a blanket, a mat and a bowl of his mother’s lamb stew. Amir accepts these so-called gifts but eventually realizes that they come with price tags—literally, on obscure labels that add weeks and months to his sentence. The spirit of his dead father counsels him that “the desire for more is insatiable” and that to find true freedom, release and happiness, “You must grow your Self-Control…and kill Indulgences and Fantasies.” Eventually, young Amir musters the willpower to renounce the gifts, realizing that “the more stuff I get, the less of me there is” and that seeming luxuries are really “millstones” keeping him in the Mill. Written in a deceptively simple fashion, this fable will intrigue anyone spinning on an economic hamster wheel of work, debt, and questions about the spiritual and environmental dissolution of a modern world hellbent on a dead-end street of rampant consumerism. On the most basic level, it makes entertaining reading, but it works on a higher plane, and for those possessed by their possessions, it gives a path to the possibility of freedom.

A deftly told tale about breaking free from the yoke of voracious and unsustainable, media-driven consumerism.

Pub Date: May 20, 2014

ISBN: 978-0-9911624-0-6

Page Count: 126

Publisher: Brainsquall

Review Posted Online: April 25, 2014

Kirkus Reviews Issue: June 1, 2014

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THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME

A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy,...

Britisher Haddon debuts in the adult novel with the bittersweet tale of a 15-year-old autistic who’s also a math genius.

Christopher Boone has had some bad knocks: his mother has died (well, she went to the hospital and never came back), and soon after he found a neighbor’s dog on the front lawn, slain by a garden fork stuck through it. A teacher said that he should write something that he “would like to read himself”—and so he embarks on this book, a murder mystery that will reveal who killed Mrs. Shears’s dog. First off, though, is a night in jail for hitting the policeman who questions him about the dog (the cop made the mistake of grabbing the boy by the arm when he can’t stand to be touched—any more than he can stand the colors yellow or brown, or not knowing what’s going to happen next). Christopher’s father bails him out but forbids his doing any more “detecting” about the dog-murder. When Christopher disobeys (and writes about it in his book), a fight ensues and his father confiscates the book. In time, detective-Christopher finds it, along with certain other clues that reveal a very great deal indeed about his mother’s “death,” his father’s own part in it—and the murder of the dog. Calming himself by doing roots, cubes, prime numbers, and math problems in his head, Christopher runs away, braves a train-ride to London, and finds—his mother. How can this be? Read and see. Neither parent, if truth be told, is the least bit prepossessing or more than a cutout. Christopher, though, with pet rat Toby in his pocket and advanced “maths” in his head, is another matter indeed, and readers will cheer when, way precociously, he takes his A-level maths and does brilliantly.

A kind of Holden Caulfield who speaks bravely and winningly from inside the sorrows of autism: wonderful, simple, easy, moving, and likely to be a smash.

Pub Date: June 17, 2003

ISBN: 0-385-50945-6

Page Count: 224

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2003

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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