Steeped in the charm and traditions of tea drinking and underlaid with serious thought about compassion, this novel is...
In this seriocomic novel, a large corporation tries to take control and threaten the traditional way of life in a tiny tea-producing island nation.
Viridis, also known as Green Island, is a tiny fictional nation founded in the 12th century by a mixed-race crew whose ship was blown off course while returning from Canton. Thomas Burke, descendant of an island founder, left home to pursue a career in mathematics, specializing in prediction theory; Viridians call him “Figas,” patois for “Figures.” Now, a foundation director has tapped him to return and warn the gentle islanders that Viridis’ tea—more expensive per ounce than gold—is in danger of attracting greedy attention. When an occupying force takes over Viridis, Figas and the locals face an enormous challenge: how to find an island way of protecting themselves. They call on sacrifice, patience, showmanship, and the spirit of the island—and readers will join the cheering section. In his accomplished debut novel, Seiler deftly sketches memorable, diverse characters while drawing on fascinating historical background. Witty, idiomatic dialogue provides many pithy lines: “a fox is a wolf who sends flowers”; “The Buddha would play viola….It’s the middle way.” The opening setup—not to mention the novel’s charm, wit, and underlying seriousness—recalls The Mouse That Roared by Leonard Wibberley, but this is—like Sighing Woman tea—a unique and flavorful blend, by turns comic, poignant, philosophical, and romantic. As the book progresses, it gets tighter, funnier, and more deeply emotional. Seiler never condescends to his islanders; they may act in comical ways, but they, the island, and their tea are to be taken seriously. Nor are the invaders uniformly evil: an Irish soldier’s good heart makes an excellent counterpoint to the blockheaded Cmdr. Prescott. Seiler nicely handles the islanders’ tricky maneuvers to outwit the invaders, holding enough back for suspense and providing several well-done set pieces that reveal the islanders’ gifts with satisfying payoffs.
Steeped in the charm and traditions of tea drinking and underlaid with serious thought about compassion, this novel is simply wonderful. A delight to read from start to finish.Pub Date: Oct. 15, 2014
ISBN: 978-1499063622
Page Count: 390
Publisher: Xlibris
Review Posted Online: Jan. 30, 2015
Kirkus Reviews Issue: March 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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